As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities. Get Tickets This screening is co-hosted with Tetyana Shlikhar, teaching professor of Russian and a Nanovic Institute faculty fellow.This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

In her new book Schoolishness: Alienated Education and the Quest for Authentic, Joyful Learning, published by Cornell University Press, Kellogg faculty fellow Susan D. Blum presents a a theory-based phenomenology of institutional education. She defines "schoolishness" as educational practices that emphasize packaged "learning," unimaginative teaching, uniformity, constant evaluation by others, arbitrary forms, predetermined time, and artificial boundaries, resulting in personal and educational alienation, dependence, and dread. Drawing on critical, progressive, and feminist pedagogy in conversation with the anthropology of learning, and building on the insights of her two previous books, Blum proposes less-schoolish ways of learning in ten dimensions, to lessen the mismatch between learning in school and learning in the wild. Join the Kellogg Institute for a book launch conversation between the author and special guests Jean Lave and Rev. Hugh R. Page, Jr. A reception will follow and books will be available for purchase and signing. Co-presented with the Department of Anthropology, with co-sponsorship by the Institute for Scholarship in the Liberal Arts and the Center for Educational Research and Action.   More information here. 

A genre-bending, quasi-documentary about the true story of Spencer Reinhard, Warren Lipka, Eric Borsuk and Chas Allen, who were four friends living an ordinary existence in Kentucky. After a visit to Transylvania University, Lipka comes up with the idea to steal the rarest and most valuable books from the school's library. As one of the most audacious art heists in U.S. history starts to unfold, the men question whether their attempts to inject excitement and purpose into their lives are simply misguided attempts at achieving the American dream. GET TICKETS!  

A breathtaking fusion of poetry, ethnography, and cinema, Sergei Parajanov's masterwork overflows with unforgettable images and sounds. In a series of tableaux that blend the tactile with the abstract, The Color of Pomegranates revives the splendors of Armenian culture through the story of the eighteenth-century troubadour Sayat-Nova, charting his intellectual, artistic, and spiritual growth through iconographic compositions rather than traditional narrative. The film's tapestry of folklore and metaphor departed from the realism that dominated the Soviet cinema of its era, leading authorities to block its distribution, with rare underground screenings presenting it in a restructured form. This edition features the cut closest to Parajanov's original vision, in a restoration that brings new life to one of cinema's most enigmatic meditations on art and beauty. GET TICKETS!  

Join us for an engaging panel discussion as experts unpack the results of the 2024 U.S. election.   Welcoming remarks will be made by Notre Dame President, Rev. Robert A Dowd, C.S.C.  Moderated by David Campbell, director, Notre Dame Democracy Initiative, this event features insights from leading scholars Derek Muller, professor of law, Geoffrey Layman, chair of the Department of Political Science, and Laura Gamboa, assistant professor of democracy and global affairs, Keough School of Global Affairs.  The panel will analyze the election's key outcomes, voter behavior, ongoing contention and certification processes, and the broader implications for American democracy. A light lunch will be served from 12:30 - 1:00 pm before the panel begins.  The event is free and open to the public. Don’t miss this chance to hear from top experts about what just happened and what it means for the future of U.S. politics. This event is sponsored by the Notre Dame Democracy Initiative, and co-sponsored by the Kellogg Institute for International Studies, the Rooney Center for the Study of American Democracy, and Notre Dame Student Government. Originally published at rooneycenter.nd.edu.

Meet and speak with curators Gregory Bond and Elizabeth Hogan about their exhibit, Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924. Remarks will begin at 3:15pm. About the Exhibit “Notre Dame football is a new crusade: it kills prejudice and stimulates faith.” — Rev. John F. O’Hara, C.S.C., Prefect of Religion, Religious Bulletin, November 17, 1924 The 1924 undefeated University of Notre Dame football team beat the best opponents from all regions of the country and won the Rose Bowl to claim a consensus national championship. Off the field, Notre Dame battled an intense reactionary nativist political environment that, in its most extreme manifestation, birthed the second version of the Ku Klux Klan. The “100% Americanism” political movement of the Klan and of fellow nativist sympathizers celebrated white, male, Protestant citizenship and denigrated or attacked groups—including Catholics and immigrants—who challenged their restrictive understanding of American identity. The “Fighting Irish” football success, cemented in national memory by Grantland Rice’s “Four Horsemen” column, came during this dangerous and divisive political moment. Notre Dame leaders responded by consciously harnessing the unprecedented popularity and visibility of the 1924 national champion football team to refute surging reactionary nativism and to promote—within the very real political constraints of the era—a more inclusive and welcoming standard of citizenship. This exhibit is curated by Gregory Bond, curator of the Joyce Sports Research Collection, and Elizabeth Hogan, senior archivist for photographs and graphic materials. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.