Alonzo King LINES Ballet

The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

To celebrate Black History Month (February) and Women’s History Month (March) Rare Books and Special Collections highlights several 1970s feminist magazines that introduced a wider audience to African American women in sports, politics, and contemporary culture. This exhibit is curated by Rachel Bohlmann, curator of American history, and Greg Bond, curator of the Joyce Sports Research Collection. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

The Departments of English, German and Russian Languages and Literatures, Philosophy, and Theology at Notre Dame, with the University of Notre Dame Press, present: Learning to See: Images in Theology and Philosophy A book symposium for "Incomprehensible Certainty: Metaphysics and Hermeneutics of the Image," by Thomas Pfau More information on the event landing page.    Program Introduction John Betz, associate professor of theology, University of Notre Dame.   Opening Remarks Thomas Pfau is the Alice Mary Baldwin Professor of English at Duke University, with a secondary appointment on the Duke Divinity School faculty. He is the author, editor, and translator of twelve books, including "Minding the Modern: Human Agency, Intellectual Traditions, and Responsible Knowledge" (University of Notre Dame Press, 2013, 2015).   Remarks by the Panelists Cyril O’Regan is the Catherine F. Huisking Professor of Theology, University of Notre Dame. Romana Huk, associate professor of English, Faculty Fellow at the Nanovic Institute, and affiliate faculty at the Initiative on Race and Resilience at the University of Notre Dame, and editor-in-chief at Religion & Literature. Judith Wolfe, professor of philosophical theology, at University of St. Andrews.

A concert featuring acclaimed Venezuelan soprano Maria Brea with Notre Dame Faculty Dror Baitel on piano with music by Jewish, Latin, and Jewish-Latin composers. The concert inside O'Neill Hall of Music will be followed by a panel discussion with guests and the guest artist, and a reception in the LaBar Performance Hall. Panelists:  Peter Holland, Alex Chavez, and a Jewish Federation representative. Works by Alberto Hemsi, Golijov, Lazar Weiner, Maria Grever, Miguel Astor and more.  The event is co-sponsored by the Caffeine Series of Notre Dame Music Department, Institute for Latino Studies, and the Jewish Federation of South Bend.        Originally published at music.nd.edu.

A showing of the film, followed by a panel discussion and reception. Directed by Kellogg Institute Faculty Fellow Anton Juan With Apple Aplanque, Kent John Desamparado, Helen Cutillar Not Rated, 87 minutes, DCP In Hiligaynon with English subtitles.A remote mangrove island's fisherfolk resist oblivion when their daily lives and stories face annihilation by a foreign power. The mangroves engrave their histories of the moon: No island nor no people should ever be forgotten.This is a free but ticketed event. Limit one ticket per person. Tickets will be available for pick-up at the ticket office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Sponsored by the Kellogg Institute for International Studies, Liu Institute for Asia and Asian Studies, and the Department of Film, Television, and Theatre.

Alonzo King LINES Ballet is a celebrated contemporary ballet company guided since 1982 by the unique artistic vision of Alonzo King. Born in Albany, Georgia, to a prominent 1960s civil rights family with ties to Dr. Martin Luther King, Jr. and Malcolm X, he learned early on the importance of aligning actions with beliefs.A noted balletmaster, King creates works that draw on a diverse set of deeply rooted cultural traditions, investing classical ballet with new expressive potential. Understanding ballet as a science — one founded on universal, geometric principles of energy and evolution — King continues to develop a new language of movement from its classical forms and techniques.Extraordinary LINES Ballet dancers and inventive choreography tear down the fourth wall for a profound sense of shared humanity.GET TICKETS