About the Music Contest Using at least one pre-1925 sound recording and any other free or original music, create a musical project highlighting some of the new material available in the public domain. Some examples of projects include:Mash-ups Remixes Oral histories over one or more songs Original music with public domain sampling Playlists around a themeSee additional contest guidelines and resources. See 2024 Music Contest winners. Submit your project Submit your project using this Google Form. The project deadline is Sunday, February 16. Note: Please remember as you are looking through the public domain that historical sound recordings may include harmful, biased, prejudiced, and outdated views. Related LibGuide: Public Domain Day Music ContestOpen to undergraduates, graduate students, postdocs, faculty, staff

Get those voices ready to sing along with this Hollywood classic! While not initially a major financial success due to its large budget, The Wizard of Oz was a critical and cultural sensation when released in 1939 (losing the Best Picture Oscar to similarly-popular Gone with the Wind). Its multi-generational nostalgia solidified with its annual holiday telecasts, first on CBS and later NBC, where Dorothy (Judy Garland) became iconic and her journey well-known: A tornado hits Kansas and sends her and her little dog, too, to Oz. Once there, she befriends a brainless Scarecrow (Ray Bolger), a heartless Tin Man (Jack Haley), and a spineless Lion (Bert Lahr). The four follow the yellow brick road to meet the eponymous Wizard while battling the Wicked Witch of the West (née Elphaba). GET TICKETS    

Benjamin Beilman is one of the leading violinists of his generation. He has won international praise for his passionate performances and deep rich tone which the Washington Post called “mightily impressive,” and The New York Times described as “muscular with a glint of violence.” The Times has also praised his “handsome technique, burnished sound, and quiet confidence,” and the Strad described his playing as “pure poetry.” Presenting in collaboration with the South Bend Symphony Orchestra and the University of Notre Dame Department of Music. This masterclass is free and open to the public. The LaBar Recital Hall ( door 7) is accessible on the east side of the Leahy gate of O'Neill Hall of Music.  Originally published at music.nd.edu.

When fate brings Belfast schoolteacher JJ into the orbit of self-confessed “low life scum” Naoise Ó Cairealláin and Liam Óg, the needle drops on a hip hop act like no other. Rapping in their native Irish, the music group Kneecap quickly becomes unlikely figureheads of a Civil Rights movement to save their mother tongue. But the trio must first overcome police, paramilitaries, and politicians trying to silence their defiant sound while their anarchic approach to life often makes them their own worst enemies. In this fiercely original sex, drugs, and hip-hop biopic, Kneecap's members play themselves, laying down a global rallying cry for the defense of native cultures. GET TICKETS  

Register here Nathan Hatch served as the president of Wake Forest University for 16 years and previously served as provost at the University of Notre Dame. He recently published The Gift of Transformative Leaders(link is external). We will discuss this book and his lifelong commitment to making character central in higher education. We hope you will join the Institute for Social Concerns each month for the Virtues & Vocations lunchtime webinar series, Conversations on Character & the Common Good. There is always time for audience questions. Virtues & Vocations is a national forum for scholars and practitioners across disciplines to consider how best to cultivate character in pre-professional and professional education. Virtues & Vocations hosts faculty workshops, an annual conference, and monthly webinars, and engages issues of character, professional identity, and moral purpose through our publications.

Rachel SchwartzKellogg Visiting Fellow Amid increasing global concern with corruption, policymakers and civil society organizations have urged the adoption of international anti-corruption commissions (IACCs) to assist in strengthening the rule of law where politicians lack the will and capacity to crack down on corruption themselves. Under what conditions are IACCs granted the autonomy to investigate and prosecute corruption, and when do domestic elites succeed in constraining their authority and capacity? Drawing on comparative analysis of IACCs in Guatemala, Honduras, and El Salvador, this lecture will unpack the domestic and transnational determinants of IACC design, offering policy insights on the possibilities and limits of international support for strengthening the rule of law in fragile contexts.   Click here for more information