Presented by Notre Dame Film, Television, and Theatre by Olivia Seymour '25Directed by Matt Hawkins As the political climate of 1960s California heats up, sisters Lisa and Cassie find themselves on either side of the growing counterculture phenomenon. While Lisa is content with her simple life of running her late mother’s diner and trying to start a family, Cassie desires more for herself, wanting to be a great singer and leave behind all she knows. With the hippie movement on the rise and the Vietnam War continuing to escalate, Lisa does her best to protect her family from the world while Cassie finds herself inevitably drawn into it, causing a divide between the sisters and their ideas of what it means to be a young woman in a rapidly evolving country. Olivia Seymour's HEART ON FIRE is the official selection for Notre Dame Film, Television, and Theatre (NDFTT)'s 2024 New Works Lab. The New Works Lab is a program developed alongside the Musical Theatre minor that allows for students to develop and stage a musical that they have written as part of NDFTT's theatre season. The student whose project is selected will workshop their script throughout the fll semester, which means that the above show description is subject to change as the story develops. Previous New Works Lab productions have included An Old Family Recipe, My Heart Says Go (formerly Stupid Humans), and Dawn's Early Light. Performance Schedule February 19-23, 2025; February 26 - March 2, 2025Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for HEART ON FIRE are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking. Originally published at ftt.nd.edu.

Suzanne Bona, flute, Josh Aerie, cello, and Greg Kostraba, piano, are known for their advocacy of new music and works by underrepresented composers, as well as illuminating performances of pieces from the standard repertoir. Adventurous and creative, the Sylvans revitalize works from Purcell to Piazzolla. This event is free and not ticketed. Originally published at music.nd.edu.

Death by Numbers — Directed by Kim A. Snyder and Janique L. RobillardI Am Ready, Warden — Directed by Smriti Mundhra and Maya GnypIncident — Directed by Bill Morrison and Jamie KalvenInstruments of a Beating Heart — Directed by Ema Ryan Yamazaki and Eric NyariThe Only Girl in the Orchestra — Directed by Molly O'Brien and Lisa Remington GET TICKETS  

The University of Notre Dame’s Department of Art, Art History & Design is proud to present its annual MFA thesis exhibition, highlighting the culminating work of four graduate students set to earn their Master of Fine Arts degrees in May 2025. This highly anticipated exhibition will be displayed in two groups, each offering a distinct and engaging artistic experience. The first exhibition will run from February 28 to March 20 at the AAHD Galleries (214/216 Riley Hall), featuring the thought-provoking works of Thomas Callahan and Emma Ryan. An opening reception will be held on Friday, February 28, from 5 to 7 pm, providing an opportunity to meet the artists and experience their work firsthand. The second exhibition will showcase the exceptional pieces of Norah Amstutz and Griffin Liu, on display from April 3 to April 16 at the AAHD Galleries. The opening reception for this group will take place on Friday, April 4, from 5 to 7 pm. This annual exhibition is a celebration of creativity, dedication, and artistic vision, offering visitors a glimpse into the future of contemporary art. We invite you to join us in supporting these talented emerging artists and experiencing their extraordinary work. Originally published at artdept.nd.edu.

The Department of Art, Art History, and Design invites you for a lecture by Lucas Lynn Christensen, doctoral candidate in the Department of Theology, exploring the relationship between visual art, history, and ritual through Andrew of Crete’s engagement with the Dormition icon. His research examines how visual elements serve as historical evidence, blurring the boundaries between imagery, ritual, and sacred truth. In a series of early eighth-century homilies, Andrew of Crete explicitly references the detailed imagery of the Dormition icon, transforming visual elements into persuasive evidence for the historical events it commemorates. This lecture explores how Andrew deploys the icon’s details as an epistemological resource—a visual argument that invites his audience to actively participate in completing the narrative. For listeners encountering the celebration for the first time, the icon serves not only as a testimonial object but also as an open-ended canvas. By interweaving vivid recollections of his own experiences in Jerusalem with calls for mimetic ritual participation, Andrew positions his hearers within the very frame of the icon, thereby blurring the boundaries between art, lived ritual, and historical truth. This investigation reconsiders the role of visual representation in constructing and authenticating sacred history, revealing how immersive engagement with an image can function as a dynamic form of historical evidence. Originally published at artdept.nd.edu.

Wrestling with the fallout of the war in Gaza on Jewish identity, political commentator Peter Beinart shares his personal reckoning with the moral reconstruction needed to build a future "that recognizes the infinite value of all human life." Atalia Omer, professor of religion, conflict and peace studies, will moderate. A frequent contributor to The New York Times and an MSNBC analyst, Beinart is a professor of journalism and political science at the Craig Newmark Graduate School of Journalism at CUNY. He is also the editor at large of Jewish Currents and writes The Beinart Notebook, a weekly newsletter. Note: Bags and backpacks will not be allowed inside the venue. A storage space will be provided on site. Originally published at kroc.nd.edu. This event is co-sponsored by Contending Modernities, the Kroc Institute for International Peace Studies, and the Mirza Family Professor in Islamic Thought & Muslim Societies.