About the Film Immerse yourself in the life of Yonezo Okita as he leaves his home in Hiroshima, Japan, to migrate to Canada in 1935. Experience Yonezo’s peaceful life on a strawberry farm and feel the shock of war and racism that affects his family for generations. Filmmaker Randall Okita pays tribute to his grandfather through interactive and deeply personal storytelling in this room-scale virtual reality film.  Register for the VR Experience Audience members will be able to view this short documentary by signing up for timed one-hour slots at two campus locations at Hesburgh Libraries and Jenkins Nanovic Halls. Staff will be present to assist the user of the virtual reality (VR) equipment throughout the entire session.  Make an Appointment: Fall 2025 Book of Distance Virtual Reality ExperienceAvailable between September 29 and October 6, 2025 Attend the Lecture Join director Randall Okita in person for the free public lecture “Bridging Generations: Memory, Virtual Reality, and the Art of Reclaiming Lost Narratives in The Book of Distance” on Monday, October 6, 5:00 p.m. in 1050 Jenkins Nanovic Halls. About the DirectorRandall OkitaRandall Okita is an artist and filmmaker known for his use of rich visual language and innovative storytelling. His films have screened at Sundance, Venice, Tribeca and TIFF, while his art has appeared in galleries and museums worldwide. With over twenty international awards, including two Canadian Screen Awards, a Webby, and a Japan Prize, Okita continues to push boundaries internationally. Recent work includes the IFC feature film See for Me (Tribeca, BFI London), the VR experience The Book of Distance (Sundance, Venice), the solo exhibition A Place Between at the Prince Takamado Gallery in Tokyo, and Transport to Another World at The Museum of Modern and Contemporary Art in Seoul. Of Irish and Japanese descent, Okita was born in Calgary and now splits his time between Toronto and Tokyo. An active mentor and educator, he believes in fostering creative communities. About the Series The film series Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema explores how trauma is experienced intergenerationally in the family within the context of East Asia. Research demonstrates that trauma has lasting effects that reverberate beyond the victims who directly experience it (Cai and Lee 2022; Cho 2006). Families are the primary site where trauma is experienced and transferred across generations. This series sheds light on how these dynamics play out through a gendered lens within the context of East Asia, which has been profoundly shaped by ethnocentric violence during the Japanese imperial period and World War II, as well as social and economic upheaval following the outbreak of civil wars and the spread of Cold War politics in the 20th century. The series is sponsored by the Liu Institute for Asia and Asian Studies, DeBartolo Performing Arts Center, and Hesburgh Libraries with support from the Franco Family Institute for Liberal Arts and the Public Good, College of Arts & Letters. Originally published at asia.nd.edu.

Join the curators of Homecoming: Walter Osborne’s Dublin, 1880–1900 every Football Friday for an introduction to one of Ireland’s most acclaimed artists, as well as the people he knew and the places he visited. From luscious parks to bustling market scenes, quiet libraries and churches to intimate domestic interiors, Osborne’s luminous depictions of everyday life offer insights into Ireland’s changing realities at the turn of the twentieth century. Meet at the entrance to the Temporary Exhibition Gallery.  All are welcome. Originally published at raclinmurphymuseum.nd.edu.

This panel will be held in Spanish live via Zoom, with English translation. On Sept. 16 and 18, 2025, Colombia’s Special Jurisdiction for Peace — referred to as JEP, its acronym in Spanish — issued its first two rulings imposing restorative sanctions on those most responsible for war crimes and crimes against humanity committed over more than five decades of internal armed conflict in the country. The first ruling addressed the crime of kidnapping carried out under the direction of the last secretariat of former FARC-EP (military and political leaders), while the second focused on extrajudicial executions and forced disappearances committed in the Caribbean region by members of the state armed forces.Register here. Join this event to hear presentations from JEP magistrates who reflect on the progress and challenges with issuing sanctions, as well as the sanctions' impact on the implementation of Colombia’s Final Peace Agreement and peacebuilding in the country, overall. Humberto Sierra Porto, director of the Department of Constitutional Law at the Universidad Externado de Colombia, will welcome attendees, with Ángela María Ramírez Rincón, executive director of the Barometer Initiative, and Steve Hege, director of The Latin American Institute for Peace & Security (ILAPS), offering opening remarks. The JEP panel presentations will be followed by discussion and Q&A with the audience, both virtual and in person, with the hope that Colombian contributions and experiences can inform and assist other peace and transitional justice processes around the world.This event is organized by the Kroc Institute for International Peace Studies, part of the University of Notre Dame’s Keough School of Global Affairs, the Universidad Externado de Colombia, and The Latin American Institute for Peace & Security. Panelists:Alejandro Ramelli Arteaga, President, Special Jurisdiction for Peace (JEP)Ana Manuela Ochoa Arias, Magistrate, First Instance Chamber in Cases of Acknowledgement of Truth and ResponsibilityCamilo Suárez Aldana, Magistrate, First Instance Chamber in Cases of Acknowledgment of Truth and ResponsibilityModerator:Gloria Castrillón, The Latin American Institute for Peace & Security (ILAPS)Register here. Originally published at kroc.nd.edu.

Liberal democracies rely on truth-seeking institutions insulated from, or capable of rising above, partisan politics: science, universities, and serious journalism. Each was politicized and degraded under COIVD-19, falling victim to the moral and epistemic tribalism that disfigures our politics and culture. Based on his book, In Covid’s Wake: How Our Politics Failed Us, co-authored with Frances Lee (Princeton University Press, 2025), Macedo will trace how leaders made policy during the worst pandemic in over a century. In so doing, he will contend that educated elites need to soberly examine their performance, assess their own biases and blind spots, and strive to be more worthy of the public’s trust.Stephen Macedo is the Laurance S. Rockefeller Professor of Politics at the University Center for Human Values at Princeton University. A member of the American Academy of Arts and Sciences since 2014, and the American Academy of Sciences and Letters since October 2024, he is also immediate past-President of the American Society for Political and Legal Philosophy. He is author, with Princeton Professor Frances Lee, of In Covid’s Wake: How Our Politics Failed Us (Princeton University Press, 2025), a comprehensive examination of COIVD-19 policy and discussion around it as a window onto our political dysfunction. Other books include, Just Married: Same-Sex Couples, Monogamy, and the Future of Marriage (2015); Diversity and Distrust: Civic Education in a Multicultural Democracy (2000); Liberal Virtues: Citizenship, Virtue, and Community in Liberal Constitutionalism (1990); and 20 other co-authored, edited, or co-edited books. As vice president of the American Political Science Association, and the first chair of its Standing Committee on Civic Education and Engagement, he published Democracy at Risk: How Political Choices Undermine Citizen Participation, and What We Can Do About It (Brookings Institute Press 2005), co-authored with Robert Putnam, Margaret Levi, William Galston, and others. Current research concerns the pressures on social justice exerted by various forms of globalization, especially immigration, and the problems raised by social media companies and the dangers of government efforts to policy “misinformation.” ** Stephen Macedo writes and teaches on political theory, ethics, public policy, and law, especially on topics related to liberalism, democracy and citizenship, diversity and civic education, religion and politics, and the family and sexuality. From 2001–09, he was director of the University Center for Human Values. As founding director of Princeton’s Program in Law and Public Affairs (1999-2001), he chaired the Princeton Project on Universal Jurisdiction, helped formulate the Princeton Principles on Universal Jurisdiction, and edited Universal Jurisdiction: International Courts and the Prosecution of Serious Crimes Under International Law (University of Pennsylvania Press, 2004). Originally published at constudies.nd.edu.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

The museum is excited to welcome back Brendan Fernandes for an encore presentation of his site-specific piece, Moving Through. Originally performed this past spring, this commissioned work will be reprised throughout the galleries. Fernandes’s piece dissolves the boundaries among visual art, dancers, and audience members. The performance will take place in the museum atrium and throughout the galleries; visitors can expect to see dancers in the galleries as they respond to a dynamic movement score composed collaboratively by students. Rather than stage a stationary performance, dancers will move through the museum, allowing visitors to watch the fluid performance and come and go as they wish. The work unfolds as a meditative act, inviting an extended, slow process of looking, sensing, and interpreting. Audience members may stumble upon a dancer by chance or follow their movement as they respond to an artwork—transforming observation into an immersive experience. By integrating movement, stillness, and sonic interplay, Fernandes reimagines the museum as a living, breathing space where art and dance converge, challenging how we see, experience, and interpret both art forms. The performance will invite audiences into an active, meditative process of seeing, experiencing, and engaging with art in new and transformative ways. Brendan Fernandes is the 2025 artist-in-residence in the Notre Dame Initiative on Race and Resilience. The site-specific commissioned piece Moving Through is made possible through collaboration among, and support from the Initiative on Race and Resilience, the DeBartolo Performing Arts Center, and the Raclin Murphy Museum of Art. Brendan Fernandes (b. 1979, Nairobi, Kenya) is an internationally recognized Canadian artist working at the intersection of dance and visual arts. Rooted in collaboration and fostering solidarity, Fernandes’s projects take hybrid forms to address issues of race, queer culture, migration, protest, and other forms of collective movement. He is a graduate of the Whitney Independent Study Program (2007) and a recipient of a Robert Rauschenberg Fellowship (2014). In 2010, he was shortlisted for the Sobey Art Award and received a prestigious 2017 Canada Council New Chapters grant. Fernandes is also the recipient of the Platform Award (2024), the Artadia Award (2019), a Smithsonian Artist Research Fellowship (2020), and a Louis Comfort Tiffany Foundation grant (2019). His projects have been shown at the 2019 Whitney Biennial (New York); the Solomon R. Guggenheim Museum (New York); the Museum of Modern Art (New York); the Getty Museum (Los Angeles); the National Gallery of Canada (Ottawa); MAC (Montreal), among a great many others. He is an Associate Professor in the Department of Art Theory and Practice at Northwestern University. Fernandes is represented by Monique Meloche Gallery in Chicago and Susan Inglett Gallery in New York. Recent and upcoming projects include performances and solo presentations at the Pulitzer Arts Foundation (St. Louis), MCA Denver, The Fabric Workshop (Philadelphia), and Prospect 6 (New Orleans). Originally published at raclinmurphymuseum.nd.edu.