Romero Days 2025: The Future of Romero Studies We stand at an exciting time in the study and reception of the witness of Óscar Romero. In the 1980s, 1990s, and the first decade of the 2000s, biographies, personal reflections, theological essays, devotionals, and collections of primary texts made Romero’s witness more accessible around the world. In the 2010s, we saw in increasing number of books that take Romero ever-more seriously as both bishop and a deep theological thinker: as someone, who in both life and word, offered a corpus worthy of critical engagement and creative reception, as someone who continues—if we would listen—to speak into the challenges we face today. All of this has set a foundation for the generative and open-ended time in which we find ourselves. Romero Days 2025 will gather leading scholars from around the world to discuss the most urgent needs and the field of Romero Studies going forward. What parts of his legacy remained underexplored by scholars? How can his vision of peace, justice, and Christian life speak into the problems we face today? What does it look like to move forward as a genuine community of scholars and practitioners? Presented by the Kellogg Institute with cosponsorship by the Cushwa Center and Department of Theology.   More information here

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

Erin Gallagher Barnhart ‘05 J.D. serves as the assistant federal public defender for the Southern District of Ohio’s Capital Habeas Unit. In her work she represents death row inmates in federal habeas, civil rights litigation, and state clemency matters.  Lamont Hunter spent nearly 18 years on Ohio’s death row. He was convicted and sentenced to death in 2007 on charges of child endangerment, aggravated murder, and rape in the death of his 3-year-old son, Trustin, who suffered fatal injuries after accidentally falling down the stairs. During habeas proceedings, defense counsel discovered exonerating evidence, and Hunter was granted a motion for a new trial and vacated his capital convictions. To obtain his freedom, he pleaded guilty to lesser charges of involuntary manslaughter and child endangerment and was sentenced to time served. Since his release in 2023, Hunter has been rebuilding and reconnecting with his family and community while graciously sharing his story of wrongful incarceration and insight into the US criminal legal system. Hunter will discuss his journey from wrongful conviction to freedom, while Barnhart will highlight the critical role of legal advocacy in challenging injustice and securing fair outcomes. This event is part of Death Penalty Abolition Week, co-sponsored by the Notre Dame Law School Exoneration Justice Clinic and the Klau Center for Civil and Human Rights. Originally published at law.nd.edu.

Join in for an artist talk with acclaimed Chicago-based photographer Diana Solís. Since the 1970s, Solis has been documenting Mexican American families in Pilsen, as well as queer kinship and the fight for LGBTQ rights in Chicago.Reception to follow. A selection of Diana Solís's photographs will be on display.Sponsored by the Institute for Latino Studies, Department of American Studies, Department of Anthropology, and the Department of Art, Art History, and Design. Originally published at artdept.nd.edu.

New at the BrowningDirected by Cord JeffersonWith Jeffrey Wright, Tracee Ellis Ross, John OrtizRated R, 117 minutes, DCPCome see the film at the core of the Notre Dame Institute for Race and Resilience's Forum on Systematic Inclusion, a two-part symposium on Percival Everett's Erasure and the film American Fiction. American Fiction is Cord Jefferson's Oscar-winning directorial debut, which confronts our culture's obsession with reducing people to outrageous stereotypes. Jeffrey Wright stars as Monk, a frustrated novelist who's fed up with the establishment profiting from "Black" entertainment that relies on tired and offensive tropes. To prove his point, Monk uses a pen name to write an outlandish "Black" book of his own, a book that propels him to the heart of hypocrisy and the madness he claims to disdain. RESERVE TICKETS