New at the BrowningDirected by Jiao ZiWith Michelle Yeoh, Crystal Lee, Vincent Rodriguez IIIRated PG-13, 144 minutesWhen Xu Zhonglin wrote the novel Investiture of the Gods in the 1500s, he didn't expect one, let alone two, animated adaptations to sweep China (and then the world). In particular with Ne Zha 2, this direct sequel has become both the highest-grossing animated film and the highest-grossing non-English language film of all time by raking in over $2,000,000,000. While the results are staggering, the story's roots still hold well to the 16th-century source material: A rebellious young boy, Ne Zha, is feared by the gods and born to mortal parents with wild, uncontrolled powers. Now that he's faced with an ancient force intent on destroying humanity, he must grow up to become the hero the world needs. GET TICKETS

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Professor Pfinklepfunder's $1 Sunday Films Directed by Nicolas Roeg With Anjelica Huston, Mai Zetterling, Jasen FisherRated PG, 91 minutes A Roald Dahl adaptation from Nicolas Roeg is a bit of a fascinating combination given Roeg's past films (e.g., directing the David Bowie vehicle The Man Who Fell to Earth or Mick Jagger in Performance or that kid in Don't Look Now). While staying at a hotel in England with his grandmother, Helga (Mai Zetterling), young Luke (Jasen Fisher) kills time by snooping here and there. As luck would have it, Luke inadvertently stumbles upon a convention of witches. The Grand High Witch (Oscar-winner Anjelica Huston) reveals a plan to turn all children into mice through a magical formula. As bad luck would have it, the witches realize that Luke has overheard their ruinous plot and test the formula on him. Now, with the help of Helga and the hotel manager, Mr. Stringer (Rowan Atkinson), Luke the mouse must fight back against the witches and save kids worldwide from a murine fate. GET TICKETS *Sponsored by the Meg and John P. Brogan Endowment for Classic Cinema.

Classics in the BrowningDirected by Fritz LangWith Rudolf Klein-Rogge, Otto Wernicke, Oscar Beregi Sr.Not Rated, 121 minutes, Blu-rayIn German with English subtitlesLocked away in an asylum for a decade and teetering between life and death, the criminal mastermind Doctor Mabuse (Rudolf Klein-Rogge) has scribbled his last will and testament: a manifesto establishing a future empire of crime. When the document's nefarious writings start leading to terrifying parallels in reality, it's up to Berlin's star detective, Inspector Lohmann (Otto Wernicke, reprising his role from M) to connect the most fragmented, maddening clues in a case unlike any other. A sequel to his enormously successful silent film Dr. Mabuse: The Gambler, Fritz Lang's The Testament of Dr. Mabuse reunites the director with the character that had effectively launched his career. Lang put slogans and ideas expounded by the Nazis into the mouth of a madman, warning his audience of an imminent menace, which was soon to become a reality. Nazi Minister of Information Joseph Goebbels saw the film as an instruction manual for terrorist action against the government and banned it for "endangering public order and security." A landmark of mystery and suspense for countless espionage and noir thrillers to come, this is the complete, uncut original director's version in a stunning new transfer. GET TICKETS *Free for ND, SMC, HC, IUSB, and high school students.

So much art, so little time! Join in for this 15-minute lunchtime program, where a member of the Raclin Murphy Museum's education staff will facilitate a brief, interactive conversation focused on a work in the current temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. This week's selection will be In Galway Town. Take a brief moment during your lunch break to engage with others in a relaxed discussion to explore new perspectives on a piece through a close look. After our brief conversation, participants can explore other works in the Museum or enjoy a 10% discount at Ivan’s Cafe.    Walter Frederick Osborne (Irish, 1859–1903), In Galway Town, ca. 1894, Oil on board, 7 3/4 × 11 1/2 in. (19.5 × 29 cm) unframed, Private Collection, Connemara, West of IrelandOriginally published at raclinmurphymuseum.nd.edu.

On May 12, 2025, a group of 59 white South Africans arrived in the United States as refugees on a flight chartered by the U.S. government. The new arrivals, many of whom are Afrikaner descendants of Dutch settlers, were granted refugee status based on claims they faced racial discrimination and violence in South Africa. At the center of this situation is South Africa’s land restitution program, which is designed to return land, under certain conditions, to Black communities that were dispossessed during the country’s Apartheid era. John Eligon, the Johannesburg bureau chief for The New York Times, has covered this story from all angles — including the passage of South Africa’s Expropriation Act, reactions to the policy in different communities, the Trump administration’s creation of a special refugee program for South Africa’s racial minorities, and South African President Cyril Ramaphosa’s pushback against narratives amplified by President Trump, Elon Musk, and others. Eligon will share insights from his reporting during “Post-Apartheid? Restitution and Racial Fear in South Africa,” a public conversation moderated by Dory Mitros Durham, assistant dean for academic affairs and associate teaching professor in Notre Dame’s Keough School of Global Affairs. About the speakerJohn Eligon has served as The New York Times’ Johannesburg bureau chief since 2021. In that role, he is responsible for covering countries in southern Africa. He writes about how big trends and phenomena — from climate change to political upheaval — influence and shape the lives of ordinary people across southern Africa. “My work seeks to upend easy assumptions and stereotypes about the region,” he says. “I strive to show readers a side of Africa they rarely see or hear about, like how the Apartheid-era townships have become a hub of nightlife for South Africa’s rising Black middle class, or how the Rugby World Cup unified a very divided South Africa.” Eligon’s career at The New York Times started in 2005 as a sports reporter. He has covered courts for the Metro section and was a correspondent for the National section based in Kansas City, Missouri. He spent most of his time on the National desk covering issues of race across the United States. He was The Times’ first reporter on the ground in Minneapolis following the murder of George Floyd, and wrote extensively about the national movement for racial justice that it sparked. Several years earlier, he helped to shepherd The Times’ coverage of the police killing of Michael Brown in Ferguson, Missouri. Eligon was born in the Caribbean nation of Trinidad and Tobago, and grew up mainly in Florida and Michigan. He is a graduate of Northwestern University, where he earned degrees in journalism and German. Originally published at klau.nd.edu.