New at the BrowningDirected by François OzonWith Hélène Vincent, Josiane Balasko, Ludivine SagnierNot Rated, 102 minutes, DCPIn French with English subtitlesAfter a tumultuous life in Paris, Michelle (Hélène Vincent) has retired to a quiet existence in Burgundy, tending her garden and attending services at her parish. The voracious hostility of her adult daughter Valérie (Ludivine Sagnier) remains Michelle's great puzzlement: How can a child for whom she sacrificed so much treat her with such contempt and suspicion? When Valérie drops off her son for a week with his grandmother, Michelle sees an opportunity to repair the relationship, but a culinary accident soon undercuts whatever trust remains. With the help of her best friend Marie-Claude (Josiane Balasko), whose son (Pierre Lottin) has recently been released from prison, Michelle plots a path towards restoring the family life so long denied to her. With a deceptively placid surface, master stylist François Ozon cooks up a twisty and destabilizing thriller where family ties remain the most mysterious ingredient of all. GET TICKETS

New at the BrowningDirected by Rungano NyoniWith Susan Chardy, Elizabeth Chisela, Henry B.J. PhiriRated PG-13, 99 minutes, DCPIn English and Bemba with English subtitlesOn an empty road in the middle of the night, Shula stumbles across the body of her uncle. As funeral proceedings begin around them, she and her cousins bring to light the buried secrets of their middle-class Zambian family, in filmmaker Rungano Nyoni's surreal and vibrant reckoning with the lies we tell ourselves GET TICKETS

Professor Pfinklepfunder's $1 Sunday Family FilmsDirected by Ben Sharpsteen, Clyde Geronimi, Wilfred Jackson, Hamilton LuskeWith Kathryn Beaumont, Ed Wynn, Sterling HollowayRated G, 75 minutes, Blu-rayLewis Carroll's Alice's Adventures in Wonderland and Walt Disney had a long history. Disney used a short of the film to help finance his pictures as he got his studio off the ground. A feature adaptation was inevitable, but the pathway there proved winding and long-fitting for a film about Wonderland. After roughly three decades of fits and starts, Alice in Wonderland was released in 1951. It was really upon its re-release in the early 1970s that it cemented itself as not only a Disney classic but a classic American film. The film follows Alice following the White Rabbit down a rabbit hole and into Wonderland, where she encounters a raft of strange characters, some of whom would like to have her head. GET TICKETS

The University Band presents its spring program including marches, contemporary concert band pieces, popular music, and traditional Notre Dame favorites. The University Band is a concert band for current students as well as staff, faculty, and alumni of Notre Dame, Saint Mary's, and Holy Cross. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Grammy Award winners Third Coast Percussion (TCP), the DeBartolo Performing Arts Center's ensemble-in-residence from 2013 to 2018 and also celebrating its 20th anniversary, perform with acclaimed Grammy Award-winning composer, violinist, and educator Jessie Montgomery. Montgomery, who has received the Leonard Bernstein Award from the ASCAP Foundation and the Sphinx Medal of Excellence, is known for her works that blend classical music with elements of vernacular music, improvisation, poetry, and social consciousness. Her music is widely performed by leading musicians and ensembles worldwide, making her a significant interpreter of 21st-century American sound and experience. GET TICKETS  

New at the BrowningDirected by François OzonWith Hélène Vincent, Josiane Balasko, Ludivine SagnierNot Rated, 102 minutes, DCPIn French with English subtitlesAfter a tumultuous life in Paris, Michelle (Hélène Vincent) has retired to a quiet existence in Burgundy, tending her garden and attending services at her parish. The voracious hostility of her adult daughter Valérie (Ludivine Sagnier) remains Michelle's great puzzlement: How can a child for whom she sacrificed so much treat her with such contempt and suspicion? When Valérie drops off her son for a week with his grandmother, Michelle sees an opportunity to repair the relationship, but a culinary accident soon undercuts whatever trust remains. With the help of her best friend Marie-Claude (Josiane Balasko), whose son (Pierre Lottin) has recently been released from prison, Michelle plots a path towards restoring the family life so long denied to her. With a deceptively placid surface, master stylist François Ozon cooks up a twisty and destabilizing thriller where family ties remain the most mysterious ingredient of all. GET TICKETS

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

Notre Dame Children's Liturgical Choir provides service music for the 5:15PM Daily Mass at the Basilica. Originally published at sma.nd.edu.

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

The Joint Memorial Day Ceremony, organized by Combatants for Peace and The Parents Circle Families Forum, is one of the largest Israeli-Palestinian jointly organized peace events in history.  According to Palestinian and Israeli Bereaved Families for Peace, the ceremony "provides a unique opportunity for Israelis and Palestinians to grieve together and stand strong in demanding an end to the occupation and ongoing violence." The memorial service, which occurs in Jerusalem, will be live-streamed on campus where members of the Notre Dame Community and beyond will gather to lament, to remember, and to imagine a different path forward. This event will precede the University President's forum. For this reason speakers Hussein Ibish and David Myers will be joining us for the service and participants are invited to interact with each of them in an informal manner following the livestream. Light refreshments will be provided.Hussein Ibish, Senior Resident Scholar, Arab Gulf States Institute in Washington        David Myers, Distinguished Professor and Sady and Ludwig Kahn Chair in Jewish History, UCLA         Co-sponsored by the University of Notre Dame's Institute for Social Concerns and Kroc Institute for International Peace Studies along with the Student Voices for Palestine, Sunnyside Presbyterian Church, United Religious Community, Women's Interfaith Dialogue. Originally published at ansari.nd.edu.

What might a just peace look like for Israelis and Palestinians? Out of the many options that have been proposed over the decades—one-state, two-state, bi-national confederation, international peacekeeping missions—what seems most likely in the foreseeable future? Is an absence of war our last best hope, or can we keep hope alive for enduring peace that reconciles between the two peoples? Our Israel-Palestine event series concludes with another conversation with David Myers and Hussein Ibish about the range of futures for the region: the ideal, the possible, and the probable.  Notre Dame ID's will be required for entrance to this event. Featuring:Hussein Ibish, Senior Resident Scholar, Arab Gulf States Institute in Washington      David Myers, Distinguished Professor and Sady and Ludwig Kahn Chair in Jewish History, UCLA       Originally published at forum2024.nd.edu.

Notre Dame’s three jazz ensembles present a delightful varied program. The event will honor the senior members for their dedication to the program as collegiate musicians. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Review the 2024-25 academic calendar.  

In celebration of the 10th anniversary of the OVI-UND seminar series, the Center for Italian Studies is pleased to host a seminar by the Progetto CLIO team at the Opera del Vocabolario Italiano: “Due casi di studio e i corpora per lo studio integrato della poesia delle Origini. Il commento in volgare all’Aesopus attribuito a Gualtiero Anglico del ms. Vat. lat. 3216” (Two case studies and the corpora for the integrated study of early italian poetry. The vernacular commentary on the Aesopus attributed to Gualtiero Anglico in manuscript Vat. lat. 3216)   Tra le raccolte medievali di favole esopiche, quella in distici elegiaci attribuita a Gualtiero Anglico ha goduto di particolare fortuna. Nel 1951, Mario Pelaez dà notizia di un compendio in prosa latina dell’Aesopus accompagnato da un commento in versi in volgare italo-veneto di mano trecentesca conservato nel manoscritto miscellaneo Vat. lat. 3216. L’intervento intende ritornare sul testo a partire da tre prospettive di ricerca: 1. l’analisi macro-strutturale del codice Vat. lat. 3216, latore di altre opere latine e volgari, come i Trionfi e i Salmi penitenziali di Petrarca e il capitolo Re Carlo primo fu grande omo e fero di Franco Sacchetti; 2. l’indagine metrica delle sessanta unità strofiche che costituiscono il commento volgare; 3. lo studio stilistico e lessicale del testo. Carolina Borrelli è assegnista di ricerca presso l’Opera del Vocabolario Italiano (OVI-CNR) nell’ambito del progetto PRIN 2022 CLIO - Corpora per la Lirica Italiana delle Origini. Ha ottenuto il dottorato di ricerca in Filologia romanza presso l’Università degli Studi di Siena, in cotutela con l’EPHE–PSL, con una tesi dedicata allo studio codicologico, linguistico ed ecdotico del canzoniere trobadorico T (Paris, BnF, fr. 15211). I suoi principali interessi riguardano la tradizione manoscritta della lirica in lingua d’oc e la produzione in versi della letteratura italiana antica. Ugo Conti è assegnista di ricerca presso l’Università per Stranieri di Siena nell’ambito del progetto PRIN 2022 CLIO - Corpora per la Lirica Italiana delle Origini. I suoi interessi ruotano principalmente attorno alla poesia delle Origini e del primo Novecento, all’informatica umanistica, alla trattatistica metrica antica e alla metrica italiana, con particolare riguardo alla critica stilistica della terza rima, di cui ha studiato l’utilizzo nella Commedia e per la quale ha curato lo sviluppo del programma Triars - Terza Rima Informatizzata per l’Analisi Ritmica e Sintattica. Giulia Zava è assegnista di ricerca OVI-CNR nell’ambito del progetto PRIN 2022 CLIO -Corpora per la Lirica Italiana delle Origini. È stata borsista della Alexander von Humboldt Foundation alla Freie Universität Berlin, della Fondation Barbier-Mueller pour l’étude de la poésie italienne de la Renaissance de Genève e del Research Institute of the University of Bucharest. I suoi interessi riguardano principalmente la letteratura italiana dal XIV al XVI secolo, con particolare attenzione per Petrarca e la sua ricezione quattrocentesca, i meccanismi del riso nella prima età moderna, la relazione fra letteratura e arte. Please register here   Originally published at italianstudies.nd.edu.

This exhibit commemorates the 80th anniversary of the end of the Second World War (1939-45) using primarily European visual sources recently acquired by Rare Books & Special Collections. It showcases more than 40 works on paper, including posters, maps, propaganda ephemera, and illustrated books, as well as photographs and first-hand accounts. The exhibit explores themes of Nazi racial ideology, the Holocaust, children in war, resistance, liberation, and memories of war. By examining images created for personal use and for state-sponsored propaganda, the exhibit presents a visual narrative of the war’s profound impact on individuals and societies, offering deeper insight into how this war was experienced and remembered. This exhibit is curated by Natasha Lyandres, Curator, Rare Books & Special Collections; Jean McManus, Catholic Studies Librarian, University Archives; and Julia Schneider, German Language and Literature and Italian Studies Librarian, Hesburgh Libraries. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours. Related Events Monday, March 31, 4:30 pmLecture: Martina Cucchiara, “Fervent Faith, Relentless Persecution: The Daily Life of Erna Becker-Kohen, a Catholic of Jewish Descent in Nazi Germany” Thursday, April 10, 4:30 pmLecture: Robert M. Citino, "The Fascist Lair: the Battle of Berlin" Tuesday, April 22, 4:30 pmYom HaShoah Program to commemorate the victims of the Holocaust Exhibit Tours Meet and speak with curators of the spring exhibit, "Tragedies of War: Images of WWII in Print Visual Culture." Monday, March 31, 3:30 pmThursday, April 10, 3:30 pmTuesday, April 22, 3:30 pm

In 1980, the University of Notre Dame became the first major university to boycott Campbell Soup products in support of Midwestern farmworkers represented by the Farm Labor Organizing Committee (Toledo, Ohio). In a few short months, a small and dedicated cohort of students tapped into a growing movement and convinced the campus to act in solidarity. This exhibit was created in conjunction with Somos ND, a campus-wide initiative to honor the history and legacy of Latino and Hispanic contributions to the University. It is curated by Emiliano Aguilar, assistant professor in the Department of History. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, the public, alumni, and friends  

The Office of Institutional Transformation, in partnership with the Initiative on Race and Resilience, invites students, faculty, and staff to gather weekly for support and fellowship. Wellsprings: A Time for Connection and Care provides a safe space for members of the campus community to discuss fears and concerns related to social divisiveness. Some sessions may feature presentations or information from campus resources. To suggest a topic, please contact Eve Kelly at ekelly11@nd.edu. Originally published at diversity.nd.edu.

The intimate vocal ensemble, led by Daniel Stowe, presents the final program in a cycle of the complete motets of Bach, including Singet dem Herrn BWV 225. For tickets, call 674-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.