A genre-bending, quasi-documentary about the true story of Spencer Reinhard, Warren Lipka, Eric Borsuk and Chas Allen, who were four friends living an ordinary existence in Kentucky. After a visit to Transylvania University, Lipka comes up with the idea to steal the rarest and most valuable books from the school's library. As one of the most audacious art heists in U.S. history starts to unfold, the men question whether their attempts to inject excitement and purpose into their lives are simply misguided attempts at achieving the American dream. GET TICKETS!  

A breathtaking fusion of poetry, ethnography, and cinema, Sergei Parajanov's masterwork overflows with unforgettable images and sounds. In a series of tableaux that blend the tactile with the abstract, The Color of Pomegranates revives the splendors of Armenian culture through the story of the eighteenth-century troubadour Sayat-Nova, charting his intellectual, artistic, and spiritual growth through iconographic compositions rather than traditional narrative. The film's tapestry of folklore and metaphor departed from the realism that dominated the Soviet cinema of its era, leading authorities to block its distribution, with rare underground screenings presenting it in a restructured form. This edition features the cut closest to Parajanov's original vision, in a restoration that brings new life to one of cinema's most enigmatic meditations on art and beauty. GET TICKETS!  

Meet and speak with curators Gregory Bond and Elizabeth Hogan about their exhibit, Notre Dame Football Kills Prejudice: Citizenship and Faith in 1924. Remarks will begin at 3:15pm. About the Exhibit “Notre Dame football is a new crusade: it kills prejudice and stimulates faith.” — Rev. John F. O’Hara, C.S.C., Prefect of Religion, Religious Bulletin, November 17, 1924 The 1924 undefeated University of Notre Dame football team beat the best opponents from all regions of the country and won the Rose Bowl to claim a consensus national championship. Off the field, Notre Dame battled an intense reactionary nativist political environment that, in its most extreme manifestation, birthed the second version of the Ku Klux Klan. The “100% Americanism” political movement of the Klan and of fellow nativist sympathizers celebrated white, male, Protestant citizenship and denigrated or attacked groups—including Catholics and immigrants—who challenged their restrictive understanding of American identity. The “Fighting Irish” football success, cemented in national memory by Grantland Rice’s “Four Horsemen” column, came during this dangerous and divisive political moment. Notre Dame leaders responded by consciously harnessing the unprecedented popularity and visibility of the 1924 national champion football team to refute surging reactionary nativism and to promote—within the very real political constraints of the era—a more inclusive and welcoming standard of citizenship. This exhibit is curated by Gregory Bond, curator of the Joyce Sports Research Collection, and Elizabeth Hogan, senior archivist for photographs and graphic materials. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

First Voice Generation follows three Latinx high school students in Holland, Michigan. As children of Mexican immigrants, they struggle with a sense of identity and belonging growing up in this predominantly Dutch community. They dream of being the first in their family to go to college but COVID-19 shuts the world down, and virtual learning exacerbates their struggles. The cost of affording college makes their dream seem impossible. RESERVE TICKETS  

For its November concert, the NDSO presents great orchestral variations by Beethoven (the Finale of the “Eroica” Symphony), Brahms (“Haydn” Variations), and Elgar (“Enigma” Variations). For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

A familiar name to any grade school library, E.B. White tried his hand at children's literature and came out of the gate with two bangers: Stuart Little and Charlotte's Web. The latter is often cited as the best children's book of the century — if not of all time — perhaps because its adaptations, including a curious 2006 video game, have never overshadowed the book itself. Possibly best known of those adaptations is this 1973 cartoon that followed the spectacular Wilbur (Henry Gibson) as he finds his way through barnyard politics and tricky spots with the assistance of Charlotte (Debbie Reynolds), a caring and literate spider. GET TICKETS!