Embark on a journey of passion and betrayal with Giacomo Puccini's timeless masterpiece, Tosca. Join us as the Symphony and South Bend Lyric Opera reunite for two unforgettable performances. GET TICKETSPart of the symphony's June H. Edwards Mosaic Series.  

Embark on a journey of passion and betrayal with Giacomo Puccini's timeless masterpiece, Tosca. Join us as the Symphony and South Bend Lyric Opera reunite for two unforgettable performances. GET TICKETSPart of the symphony's June H. Edwards Mosaic Series.  

Following a string of awe-inspiring Met performances, soprano Lise Davidsen stars as Leonore, who risks everything to save her husband from the clutches of tyranny. Tenor David Butt Philip is the political prisoner Florestan, sharing the stage with bass-baritone Tomasz Konieczny as the villainous Don Pizarro, veteran bass René Pape as the jailer Rocco, and soprano Ying Fang and tenor Magnus Dietrich, in his company debut, as the young Marzelline and Jaquino. Bass Stephen Milling sings the principled Don Fernando, and Susanna Mälkki conducts the Met's striking production, which finds modern-day parallels in Beethoven's stirring paean to freedom. GET TICKETS  

Doug Marsh, vice president for facilities design and operations and University architect at Notre Dame, has shaped the campus over his 30 years of leadership. With projects like Campus Crossroads, the Arts Gateway, and global academic centers, he has overseen a 55% campus expansion while advancing sustainability and safety initiatives. This lecture highlights his career, from guiding Notre Dame’s Campus Plan to leaving a lasting legacy of beauty, functionality, and innovation. Register Here. Originally published at architecture.nd.edu.

Learn more and register here Signs of the Times: Interdisciplinary Responses to Religious Nationalism March 20-22, 2025   This 2025 CST conference will remember the 60th anniversary of two significant Vatican II texts, Gaudium et spes (Pastoral Constitution on the Church in the Modern World) and Dignitatis humanae (Declaration on Religious Freedom). Released on the final day of Vatican II, these texts together invited serious consideration of the role of the church and other religious communities in relation to the state. This year’s CST conference takes up Vatican II’s invitation to discern “the signs of the times” and to attend to the roles of church and state within civil society with a view toward the common good. These central CST themes warrant further exploration as Christian and other forms of religious nationalism represent a significant sign of the current time in particular national and international contexts. This interdisciplinary conference invites historical, constructive, and comparative approaches as we consider the ecumenical, interfaith, and transdisciplinary challenges of religious nationalism. For example, what is the history of Christian nationalism in the United States and how is it related to similar movements in other parts of the world? What are the scriptural and theological resources available to analyze these expressions of Christian and national identity? To what degree and under what forms are the academy and the Christian churches complicit with the history and recent expressions of white Christian nationalism? What are the possible connections between the reemergence of various forms of religious nationalism with economic changes, poverty, inequality, and environmental degradation? How has the rise of these political ideologies been facilitated by changes in laws and institutional structures? What are the implications of Christian and other forms of religious nationalism for the relationship of religious bodies and the state in civil society? What are the pedagogical challenges across the disciplines in addressing the significance of Christian and religious nationalism? Normatively, what options for constructive engagement and responses emerge from our shared consideration of these questions?

The Kroc Institute has selected The Honorable Emilce Cuda as the featured speaker for the 26th Annual Dialogues on Nonviolence, Religion, and Peace. As Secretary of the Pontifical Commission for Latin America at the Holy See, Cuda is a renowned international speaker who has published extensively on moral social theology, democracy and Catholicism in liberal contexts, theology of the people and culture in a Latin American context, economic migration, the socio-environmental ecological crisis, and more. Cuda is a member of the research team, “The future work of labor after Laudato si,” at the International Catholic Migration Commission (ICMC) and the Catholic Theological Ethics in the World Church (CTEWC). She received a Ph.D. in theology from the Pontifical Catholic University of Argentina and specializes in social moral theology. Lunch and conversation will follow this lecture in C103, Hesburgh Center for International Studies. The Dialogues on Nonviolence, Religion, and Peace, which began in 1999, were established through a gift to the Kroc Institute from Mrs. Anne Marie Yoder and her family. Each year, the Kroc Institute invites a leading thinker, writer, scholar, and/or peace advocate to deliver a lecture related to nonviolence, religion, and peace. Following the lecture, audience members join in informal dialogue and discussion with the speaker and with each other. Originally published at kroc.nd.edu.

Baritone Ryan de Ryke, a frequent Notre Dame guest, returns with works by Mozart and Brahms and a set of brooding and defiant songs by Hanns Eisler and Jacques Brel. This recital is free and open to the public. Originally published at music.nd.edu.

Learn more and register here 2025 Catholic Social Tradition Conference Signs of the Times: Interdisciplinary Responses to Religious Nationalism March 20-22, 2025 This 2025 CST conference will remember the 60th anniversary of two significant Vatican II texts, Gaudium et spes (Pastoral Constitution on the Church in the Modern World) and Dignitatis humanae (Declaration on Religious Freedom). Released on the final day of Vatican II, these texts together invited serious consideration of the role of the church and other religious communities in relation to the state. This year’s CST conference takes up Vatican II’s invitation to discern “the signs of the times” and to attend to the roles of church and state within civil society with a view toward the common good. These central CST themes warrant further exploration as Christian and other forms of religious nationalism represent a significant sign of the current time in particular national and international contexts. This interdisciplinary conference invites historical, constructive, and comparative approaches as we consider the ecumenical, interfaith, and transdisciplinary challenges of religious nationalism. For example, what is the history of Christian nationalism in the United States and how is it related to similar movements in other parts of the world? What are the scriptural and theological resources available to analyze these expressions of Christian and national identity? To what degree and under what forms are the academy and the Christian churches complicit with the history and recent expressions of white Christian nationalism? What are the possible connections between the reemergence of various forms of religious nationalism with economic changes, poverty, inequality, and environmental degradation? How has the rise of these political ideologies been facilitated by changes in laws and institutional structures? What are the implications of Christian and other forms of religious nationalism for the relationship of religious bodies and the state in civil society? What are the pedagogical challenges across the disciplines in addressing the significance of Christian and religious nationalism? Normatively, what options for constructive engagement and responses emerge from our shared consideration of these questions?

Join the Notre Dame Children's Choirs as we observe this Lenten season in eight liturgies over 25 hours, beginning and ending with Vespers at 6 p.m. with liturgies every three hours (except 6 a.m.). The Liturgy of the Hours, also known as the Divine Office or the Work of God, is the daily prayer of the Church, marking the hours of the day and sanctifying the day with prayer (United States Conference of Catholic Bishops). The Divine Office is also considered the public service of praise and worship consisting of Psalms, prayers, hymns and readings.St. Joseph Chapel at Holy Cross CollegeOriginally published at sma.nd.edu.

Innovation in Community Health is presented by Phil Newbold, former Chairman and Chief Executive Officer, Beacon Health. Newbold has more than 50 years of experience as a multi-hospital executive, with 32 years as Chief Executive Officer. He has deep knowledge of executive leadership, innovation implementation, and population/community health initiatives. The Ten Years Hence speaker series explores issues, ideas, and trends likely to affect business and society over the next decade. The theme of the 2025 series is Innovation: The Process of Creation and Renewal. Ten Years Hence is sponsored by the Eugene Clark Distinguished Lecture Series endowment. This is one of seven lectures in the Ten Years Hence Lecture Series. See website for details and other lecture dates. Free and open to students, faculty, staff and public.

Tony Alvarez II is co-founder of Alvarez & Marsal—a global consulting firm that provides restructuring, performance improvement, and M&A transaction services. Alvarez has a proven track record as a restructuring and turnaround expert successfully guiding companies through complex financial and operating challenges. Alvarez has successfully led numerous engagements, including Resorts International, Warnaco, Levi Strauss, and Interstate Bakeries. Before co-founding Alvarez & Marsal, Tony spent 12 years at Coopers & Lybrand and two years at Norton Simon. He has an undergraduate degree in finance from De La Salle University in the Philippines and MBA from New York University, Stern School of Business. He serves on the Boards of NYU-Stern, Cancer Research Institute and Statue of Liberty-Ellis Island Foundation. The lecture is free and open to the public. Seating is limited. The Dean’s Speaker Series is sponsored by the Burns Family endowment.

The Notre Dame Glee Club is a 75-voice, all-male choral ensemble at the University of Notre Dame. The performance includes Spanish, Latin American, and North American folk and popular music; German Romantic part songs; and the choral suite Rainbow Round My Shoulder, based on the Alvin Ailey Dance Company ballet. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.

Learn more and register here 2025 Catholic Social Tradition Conference Signs of the Times: Interdisciplinary Responses to Religious Nationalism March 20-22, 2025 This 2025 CST conference will remember the 60th anniversary of two significant Vatican II texts, Gaudium et spes (Pastoral Constitution on the Church in the Modern World) and Dignitatis humanae (Declaration on Religious Freedom). Released on the final day of Vatican II, these texts together invited serious consideration of the role of the church and other religious communities in relation to the state. This year’s CST conference takes up Vatican II’s invitation to discern “the signs of the times” and to attend to the roles of church and state within civil society with a view toward the common good. These central CST themes warrant further exploration as Christian and other forms of religious nationalism represent a significant sign of the current time in particular national and international contexts. This interdisciplinary conference invites historical, constructive, and comparative approaches as we consider the ecumenical, interfaith, and transdisciplinary challenges of religious nationalism. For example, what is the history of Christian nationalism in the United States and how is it related to similar movements in other parts of the world? What are the scriptural and theological resources available to analyze these expressions of Christian and national identity? To what degree and under what forms are the academy and the Christian churches complicit with the history and recent expressions of white Christian nationalism? What are the possible connections between the reemergence of various forms of religious nationalism with economic changes, poverty, inequality, and environmental degradation? How has the rise of these political ideologies been facilitated by changes in laws and institutional structures? What are the implications of Christian and other forms of religious nationalism for the relationship of religious bodies and the state in civil society? What are the pedagogical challenges across the disciplines in addressing the significance of Christian and religious nationalism? Normatively, what options for constructive engagement and responses emerge from our shared consideration of these questions?

Join the Notre Dame Children's Choirs as we observe this Lenten season in eight liturgies over 25 hours, beginning and ending with Vespers at 6 p.m. with liturgies every three hours (except 6 a.m.). The Liturgy of the Hours, also known as the Divine Office or the Work of God, is the daily prayer of the Church, marking the hours of the day and sanctifying the day with prayer (United States Conference of Catholic Bishops). The Divine Office is also considered the public service of praise and worship consisting of Psalms, prayers, hymns and readings.St. Joseph Chapel at Holy Cross CollegeOriginally published at sma.nd.edu.

The greatest actor in the world is interrupted when a delivery person arrives with a mysterious package—but the show must go on, and the wolf's gotta eat. Two actors take on all the roles in this furiously fast, funny, and surprising adaptation that asks what it means to bravely write your own story. Like an unexpected package, when you open up a fairytale, you never know what you're going to find! GET TICKETS  

The greatest actor in the world is interrupted when a delivery person arrives with a mysterious package—but the show must go on, and the wolf's gotta eat. Two actors take on all the roles in this furiously fast, funny, and surprising adaptation that asks what it means to bravely write your own story. Like an unexpected package, when you open up a fairytale, you never know what you're going to find! GET TICKETS  

Nathalie Joachim's Ki Moun ou Ye is a hypnotic, sonic journey into self-discovery. Joachim, born in Brooklyn to Haitian parents, seamlessly intertwines her familial musical heritage with contemporary and experimental sounds. She uses her potent voice and lyrics, intricate electronically sampled textures, beats, laughter, soothing melodies of an acoustic instrumental ensemble, and even her grandmother's voice. GET TICKETS  

In presenting this vision, our approach will be twofold: to reflect upon the past and to revitalize the present, to celebrate the feminine genealogy of the faith and to amplify the prophetic mission of women in our current moment. By illuminating the riches of the faith and reading the signs of the times, we hope to equip faithful Catholics and formators with a robust foundation for understanding and articulating the Church’s vision for women in our time. Register Here Originally published at mcgrath.nd.edu.

Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. GET TICKETS  

BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.