Open to the Public
All events
Upcoming Events (Next 7 Days)
Official Academic Calendar
Arts and Entertainment
Student Life
Sustainability
Faculty and Staff
Health and Recreation
Lectures and Conferences
Open to the Public
Religious and Spiritual
School of Architecture
College of Arts and Letters
Mendoza College of Business
College of Engineering
Graduate School
Hesburgh Libraries
Law School
College of Science
Keough School of Global Affairs
Centers and Institutes
- Nov 53:30 PMLecture — "From Partition to Partnership: The Future of Ireland's Peace Process"As part of the Keough-Naughton Institute's fall 2024 speaker series, Emma DeSouza, founder and co-facilitator of The Civic Initiative, will give a lecture titled, "From Partition to Partnership: The Future of Ireland's Peace Process.” Lecture Abstract The Good Friday Agreement is globally recognized as one of the most successful peace agreements of the last century. Its success was the culmination of decades of civic-led cross-community efforts, tilling the ground for a landslide 'Yes' vote. Emma DeSouza considers how civic society remains the backbone of the peace process today. As a new generation emerges, unburdened by the historically entrenched concepts of identity which came to define prior generations, civic society, and the young people within it, are creating a new path. This lecture explores the changing demographics and dynamics in Northern Ireland, the future of the peace process, and the prospects of a united Ireland. Speaker Biography Emma DeSouza is a journalist, campaigner, and peace builder who changed UK law in a landmark human rights case relating to the Good Friday Agreement. She is the founder and co-facilitator of deliberative democracy platform The Civic Initiative, Director of the Northern Ireland Emerging Leaders Program at the National Committee on American Foreign Policy, and a transatlantic adviser on peace processes and civic innovation. Emma writes for several publications including the Guardian, Irish Times, Irish News, and Byline Times. In 2023, she hosted a limited podcast series on the implementation of the Good Friday Agreement titled 'Lost in Implementation.' This event is co-sponsored by the Klau Institute for Civil and Human Rights. Originally published at irishstudies.nd.edu.
- Nov 64:00 PMBook Launch — "Victims-Centred Peacemaking: Colombia's Santos-FARC-EP Peace Talks"In this event, professor in the School of Sociology, Politics and International Studies, and director of the Global Insecurities Centre, at the University of Bristol, Roddy Brett will present his monograph, Victim-Centred Peacemaking: Colombia’s Santos-FARC-EP Peace Process (Bristol University Press, 2024), which he wrote during his time as Kroc Institute visiting fellow (2022–23). The book addresses the fundamental question of how, in the face of unrelenting barbary and adversity, survivors of political violence and atrocity have sought to assert agency and contest power as they painstakingly forge a path through which to bring an end to political violence, craft the effective means through which to reckon with the past, and reconstitute their political and moral communities. The book is, in part, about how war is fought, what its impact is, particularly on civilians, and the means that armed groups employ in order to achieve their ends. It is also about how those who survive atrocious violence narrate and make sense of war and attempt to construct peace, and, in so doing, transform political subjectivity, shape formal peacemaking processes and accountability mechanisms, and reconfigure relations of power. Based on unique empirical research into Colombia’s Santos-FARC-EP peace process (2012-2016), this book interrogates, specifically, how, if at all, survivors and victims may assert agency and contribute to formal peacemaking and transitional justice initiatives. The research argues that victim inclusion — through the so-called victims’ delegations — meaningfully transformed victim-perpetrator relations and dynamics in Havana, while partially shaping the content of both the Victims’ Agreement and Final Agreement. As such, the delegations created paths for empowerment at the individual and, in part, collective levels. However, victim inclusion also precipitated experiences of victim depoliticization, revictimization, retraumatization and instrumentalization. Drawing on insights from across academic disciplines, the book proposes an instrumentalization/empowerment spectrum to analyze the complex impact of victim-centered approaches to peacemaking/transitional justice, and is valuable for both researchers and practitioners. Brett will be joined by Kroc Institute PhD student, Patrick McQuestion (peace studies and political science) and visiting scholar, Alison Ribeiro de Menezes as respondents. Josefina Echavarría Alvarez, professor of the practice and director of the Peace Accords Matrix (PAM) will provide opening remarks. This event is cosponsored by the Keough-Naughton Institute for Irish Studies. Originally published at kroc.nd.edu.
- Nov 712:30 PMLecture — "Burning Iraq: Reckoning with Military Injustice"The Kroc Institute for International Peace Studies and the Liu Institute for Asia and Asian Studies, in partnership with its Southwest Asia and North Africa (SWANA) Working Group, as part of the Keough School of Global Affairs, proudly offer a four-part lecture series over the 2024–25 academic year. The series focuses on U.S. imperialism and U.S. military and humanitarian involvement in the Middle East, and in particular Palestine, Iraq and Afghanistan. Graduate students serve as discussants after each lecture, prior to Q&A with the audience. The series conducts a critical evaluation of U.S. policy in the Middle East and calls for a reassessment of the nature and function of a U.S. presence, and the implications posed for peacebuilding practitioners and contemporary global affairs scholarship. The United States used "burn pits" to dispose of military waste on its bases in Iraq and Afghanistan. These massive incineration fields caused respiratory illness, cancer, and death for thousands of soldiers. Iraqi and Afghan communities continue to endure the consequences of exposure to burn pits as just one form of harm to their health and livelihoods. Recently returned from fieldwork in Fallujah, Iraq, cultural anthropologist and assistant professor of anthropology at Purdue University Kali Rubaii reports back on the condition of Iraq's environment, 20 years since the 2003 U.S. invasion. Her talk poses the question: What are the routes to justice and accountability for the most privatized war in human history? Originally published at kroc.nd.edu.
- Nov 75:00 PMLecture — "Literary Celebs: Amalia Guglielminetti, Guido Gozzano and the Price of Fame"The Center for Italian Studies is pleased to host a lecture by Professor John Welle (Notre Dame). “L’unica poetessa che abbia oggi l’Italia,” Gabriele D’Annunzio declared of Amalia Guglielminetti, who began her literary career at the age of eighteen in 1901 with the ode “Al giglio sabuado” celebrating the birth of Princess Jolanda of Savoy. In the following decade, emerging onto the rich cultural scene of her native Turin, the Italian center of both the worker’s movement and the drive for female emancipation, she would bring forth three of the most important books of poetry of the new century: Le vergini folli (1907), Le seduzioni (1909), and L’insonne (1913). Adopting classical forms such as the songbook, the sonnet, and the tercet, her modernizing self-fashioning showcases various masks of the modern “donna nuova,” from the femme fatale to the emancipated woman. While linked to such traditional figures as Gaspara Stampa and other female poets of the Renaissance, she was also praised for her “stupefacente originalità.” Moreover, her early career, in its rapid rise to literary success, parallels that of her intimate friend, confidant and fellow Turin poet, Guido Gozzano. Their epistolary exchanges, numbering some 126 letters, dated between 1906 and 1912, shed light on their mutual admiration, tense romantic engagement — more literary than amorous — and common “will to fame.” Within the context of women writers of the early 20th century, as well as within that of the modern Italian poetic canon, this research seminar proposes revisiting Amalia Guglielminetti’s literary accomplishments for serious critical reconsideration. While focusing on the dialogue in letters and in verse between these two poets from Turin during the high point of their literary celebrity, I will also trace the factors that have marginalized the female writer in relation to her male counterpart(s), denying her the fame that she so richly deserves. John P. Welle is professor of Italian and concurrent professor of film, television and theatre, emeritus at the University of Notre Dame.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.
- Nov 76:00 PMMusic Program by Renana Gutman, pianistAcclaimed pianist Renana Gutman presents a program of Jewish composers who perished during the Holocaust, alongside works by their contemporaries — Berg, Ravel, and Debussy. This is event is free and not ticketed. Originally published at music.nd.edu.
- Nov 83:30 PMLecture: "Wolfe Tone and the Hibernian Catch Club: Sociability in Revolutionary Ireland"As part of the Keough-Naughton Institute's fall 2024 speaker series, Professor Martyn Powell will deliver the lecture, "Wolfe Tone and the Hibernian Catch Club: Sociability in Revolutionary Ireland." Lecture Abstract Theobald Wolfe Tone, Irish political radical, best-known of the leaders of the United Irish rebellion of 1798, was a cultural polymath. As Martyn Powell will explain, this is perhaps something that, amidst the memorialising and commemorating that goes on in Irish republicanism, could be a little better understood. Theobald Wolfe Tone was an aspiring novelist; exceptionally accomplished in the genre of diarist and master of the epistolary craft; and even had an early dalliance with amateur theatricals. Less well-known, however, was that he was an accomplished singer, and in 1790 he joined the Dublin musical society, the Hibernian Catch Club. His diary shows that, after a financial windfall, he paid for his membership to the club, but beyond this we are very much in the dark. This lecture will explore his arrival in the club, his network of friends and acquaintances who nominated and supported him, and the tensions that operated in this particular brand of club-life in 1790s Dublin. Political divisions were to be expected, but tense stand-offs also occurred between those who valued a commitment to music-making over sociability. Powell asserts that much more can be said about Tone’s cultural and artistic impulses through a study of Dublin club-life in one of the most fractured periods of Ireland's history. Speaker Biography Martyn J. Powell is professor of history and dean of the Faculty of Arts, Law and Social Sciences at the University of Bristol. He is a specialist in Irish political, cultural and social history, and his publications include Britain and Ireland in the Eighteenth-Century Crisis of Empire (2003), The Politics of Consumption in Eighteenth-Century Ireland (2005), Piss-Pots, Printers and Public Opinion in Eighteenth-Century Dublin (2009), Clubs and Societies in Eighteenth-Century Ireland (2010) (edited with James Kelly), and many articles and essays. He is currently working on a study of violence in Irish society, ‘Houghers and Chalkers: The Knife in Revolutionary Ireland, 1760-1815’, a book on the early club-life of Wolfe Tone, and an edition of the political works of Richard Brinsley Sheridan, part of a Leverhulme-funded research project, for Oxford University Press. Originally published at irishstudies.nd.edu.
- Nov 88:00 PMFall Concert: Notre Dame Glee ClubThe Glee Club’s annual fall concert features classical and popular music for men’s choirs, ranging from motets of Victoria and songs of Schubert and Mendelssohn to arrangements of hits by The Beach Boys and The Beatles. For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Nov 912:00 PMPanel Discussion—"Seeds of Compassion: Nurturing Early Childhood Development Globally in Catholic Communities"This conversation will provide a forum for rich dialogue about evidence-based solutions to some of the most pressing issues facing today's vulnerable youth. Hosted by the Global Center for the Development of the Whole Child (GC-DWC), this panel conversation features professor and director of the GC-DWC, Neil Boothby, in conversation with Dr. Carrie Quinn, pediatrician and executive director of the Mount Sinai Parenting Center and co-chair of the University of Notre Dame’s (UND) For Good Initiative, and Wendy Angst, professor and director of the Powerful Means Initiative and Impact Consulting Minor at UND’s Mendoza College of Business. All three panelists serve children and their families in different vocational capacities, but their work is aligned by the science of early childhood development (ECD) and how it complements Catholic social teaching. The conversation will touch on various themes such as Notre Dame’s unique position to be a strong agent of global change in unifying scientific knowledge with the wisdom of the church, strategies to bolster ECD programs for children enduring crisis, and how Catholic Social Teaching underscores the imperative to cater to marginalized children, while scientific insights guide the methodologies to achieve this. The event’s conversation will provide a forum for rich dialogue about evidence-based solutions to some of the most pressing issues facing today’s vulnerable youth. Immediately following the panel, please join us for fellowship, refreshments, and conversation. Moderated by Nicole McNeil, director of the Center for Educational Research and Action (ERA); professor of psychology. Review the poster. Questions? Contact the Global Center for the Development of the Whole Child (GC-DWC); bparker2@nd.edu.
- Nov 107:00 PMConcert: Santoor-Veena JugalbandhiPandit Sandip ChatterjeeSandip Chatterjee, a disciple of Santoor maestro Pandit Tarun Bhattacharya and vocal maestro Pandit Ajey Chakraborthy, is a rich and accomplishes Santoor player of our time. He has been heralded as a torch bearers of two Gharanas at the same time—Maihar & Patiala. He has a unique style of playing with one hand, where he uses his left hand to lift the strings(plucking chikari) to play Alap, Jod, Jhalla & part of Bandish. Sandip has extensively performed in many music festivals and concerts around the globe. He has collaborated with many musicians across genres such as jazz, rock, new age. His expertise has been utilized by renowned music directors like A.R Rehman, Jatin Lalit, Gulshan Kumar and Rabindra Jain. He has won many awards and laurels such as President of India Award, Sangeeth Ratna Award, Abhinaba Kala Sanman, Howrah Ratna Award, etc. Pandit Ramdas PalsuleRamdas Palsule is a popular name amongst Indian Classical Music enthusiasts and has carved a niche for himself since a very young age. Born into a well-educated family in Pune, his father, Shri. Gajanan Palsule, was a recipient of the prestigious Kalidas Sanman President’s award for his work in Sanskrit literature and for his Sanskrit book on Veer Savarkar. An alumnus of prestigious alma–maters like Jnana Prabodhin Prashala and College of Engineering, Pune, Ramdas has a strong academic foundation. He was introduced to Tabla by Pt. G.L. Samant. Later, he became the disciple of world-famous Tabla Maestro Taalyogi Pandit Suresh Talwalkar. It was after achieving his bachelor’s degree in mechanical engineering that he chose his passion as his profession. Ramdas chose his passion over a beaten path and an assured successful career in engineering at the age of 23 and ever since has been a devout torchbearer of the illustrious tradition of Indian Classical Music. Under the capable guidance of Taalyogi Pandit Suresh Talwalkar, Ramdas, with his natural ingenuity, relentless toil and insatiable thirst for knowledge made quick strides as an acclaimed soloist and a versatile accompanist. Veena Vidhushi Smt. Nirmala RajasekarNirmala Rajasekar is well known as a premier Saraswathi veena artiste in the world today. A dynamic and vibrant musician, she has performed in top notch venues in India and around the world, including the Music Academy, Narada Gana Sabha, (Chennai), Sawai Gandharva Mahotsav (Pune), Carnegie Hall, the United Nations (New York) and the Rumi International Festival (Turkey), to name a few. Nirmala is an established vocalist and composer and has been recognised internationally as a "Carnatic Ambassador" and a leader in forging new paths on the Saraswati Veena. Nirmala has become the first Carnatic musician to appear on the Billboard of Times Square in New York City (March 2024) and at the Cannes Film documentary 'Global Women in Music' (May 2024) in France. Mridangam Exponent Tanjavur K. MurugaboopathiVidwan Thanjavur K. Murugaboopathi (Boopathi) is one of the world’s most celebrated mridangam players today. His techniques and creative ability in accompaniment, solo renditions, and jugalbandhi programs with his North Indian brethren have earned him much acclaim around the world. Murugaboopathi hails from a family of musicians and artists of several generations. He is one of the few performers in the world today who trained in the rare ‘Gurukula’ method (living with one’s guru while learning) with Mridangam maestro Guru Tanjore Upendran for more than 10 years. Boopathi initially trained under Shri. T R Srinivasan from the Tamil Nadu Music College, Chennai before his gurukula training. Sponsored by the Asian Indian Classical Music Society. Free! Review the poster.
- Nov 158:00 PMConcert: Notre Dame Symphony OrchestraFor its November concert, the NDSO presents great orchestral variations by Beethoven (the Finale of the “Eroica” Symphony), Brahms (“Haydn” Variations), and Elgar (“Enigma” Variations). For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Nov 173:00 PMFall Concert: Symphonic Winds & BandThe Symphonic Winds and Symphonic Band present their fall concert, featuring overtures, marches, and traditional concert band works. The grand finale features nearly 150 band musicians performing traditional Notre Dame school songs, including the famed “Notre Dame Victory March.” For tickets, call 574-631-2800 or visit performingarts.nd.edu. Originally published at music.nd.edu.
- Nov 207:30 PMPlay: Ken Ludwig's "The Game's Afoot"Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.
- Nov 215:00 PMLecture: "The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment"Soares, António, Artist. Humorous Map of Europe. Lisboa, Portugal: A Editora, 1914. Map. https://www.loc.gov/item/2021668737/.The Center for Italian Studies is pleased to host a lecture by Professor Nicoletta Pireddu (Georgetown University) titled: The Activism of Imagination: Fictions of Europe Between Utopia and Disenchantment Against the backdrop of political, economic, and social problems that reinforce the idea of Europe’s existential crisis, this talk redraws the attention to constructive aspects of the Europe-building discourse often muffled by a rising Euroscepticism. In particular, it explores the contribution of literature both as the repository of a European cultural memory and as a forerunner of crucial components of the ongoing European integration design. A selection of modern and contemporary Italian fiction, in dialogue with a broader literary and intellectual discourse at pivotal junctures of the European project, addresses the role of utopia not as a compensatory wishful projection but, rather, as creative thinking propelled by the critical and transformative power of imagination. Nicoletta Pireddu is Inaugural Director of the Georgetown Humanities Initiative and Professor of Italian and Comparative Literature at Georgetown University. Her research revolves around European literary and cultural relations, cosmopolitanism, borders and migration, history of ideas, and translation studies. She has published over eighty articles and numerous monographs and edited volumes, among them Antropologi alla corte della bellezza. Decadenza ed economia simbolica nell’Europa fin de siècle, which received the American Association for Italian Studies Book Award; The Works of Claudio Magris: Temporary Homes, Mobile Identities, European Borders, and most recently, Migrating Minds: Theories and Practices of Cultural Cosmopolitanism (2023 American Comparative Literature Association “René Wellek Prize for the Best Edited Essay Collection”). The lecture is co-sponsored by the Nanovic Institute.The Italian Research Seminar, a core event of the Center for Italian Studies, aims to provide a regular forum for faculty, postdoctoral scholars, graduate students, and colleagues from other universities to present and discuss their current research. The Seminar is vigorously interdisciplinary, and embraces all areas of Italian literature, language, and culture, as well as perceptions of Italy, its achievements and its peoples in other national and international cultures. The Seminar constitutes an important element in the effort by Notre Dame's Center for Italian Studies to promote the study of Italy and to serve as a strategic point of contact for scholarly exchange.Originally published at italianstudies.nd.edu.
- Nov 217:30 PMPlay: Ken Ludwig's "The Game's Afoot"Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.
- Nov 227:30 PMPlay: Ken Ludwig's "The Game's Afoot"Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.
- Nov 232:30 PMConcert: Haydn’s "The Creation"Sacred Music Notre Dame, the Singing Irish of Sacred Music at Notre Dame, members from the Notre Dame Children's Liturgical Choir, and the Sacred Music Festival Orchestra perform Haydn's The Creation (1798). Drawing from the books of Genesis, Psalms, and John Milton's epic Paradise Lost to represent the six days of creation, Haydn was inspired to compose his first oratorio, now an iconic Western masterwork, after a Handel festival including Messiah. His colorful, imaginative, and tremendously satisfying choruses are favorites among choral singers and music lovers. GET TICKETS
- Nov 237:30 PMPlay: Ken Ludwig's "The Game's Afoot"Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.
- Nov 242:30 PMPlay (Matinee): Ken Ludwig's "The Game's Afoot"Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.
- Nov 248:00 PMConcert: Christopher Holman, organChristopher Holman presents eight centuries of organ music from the Roman Catholic tradition, performed on the tremendous Murdy Family Organ in the Basilica of the Sacred Heart in broadly chronological order. From the earliest written keyboard music (Robertsbridge Codex, c. 1360) through British composer Caitlin Harrison's 2022 chorale prelude on the Dominican Order's Salve Regina, the program will feature music by J.S. Bach, Charles-Marie Widor, Dieterich Buxtehude, Sor María Clara de Oaxaca, Elisabeth Lutyens, works from the time of the American Revolution, and more, demonstrating how the organ, as Widor famously said, can truly bring about a "vision of eternity." This event is free to attend and not ticketed.
- Dec 12:30 PMSouth Bend Symphony Orchestra Concert: Eudora Welty's "The Shoe Bird"Join us for a heartwarming conclusion to your Thanksgiving weekend with the annual Shein Trust Family Concert, Eudora Welty's The Shoe Bird. Gather the whole family for an enchanting musical journey suitable for all ages and sizes. GET TICKETS
Load more...
Loading...