Magnificat: Lifting Up the Lowly is a concert program weaving together the sacred and secular in response to human suffering and oppression. Framed by the canticle, the Song of Mary, it speaks of God who has scattered the proud, brought down the powerful, lifted up the lowly, and filled the hungry with good things. The concert features the glorious Magnificat by J.S. Bach, performed by students and faculty from the Program in Sacred Music at Notre Dame.From the secular realm, Dmitri Shostakovich's intensely personal Chamber Symphony (from his Eighth String Quartet) bears witness to 20th-century suffering. Dedicated to victims of war and fascism everywhere, the work is said to be autobiographical even as it references pogroms against Jews and a patriotic song set as a lament.The program also includes Joaquin Rodrigos exquisite Fantasía para un gentilhombre (Fantasia for a Gentleman), performed by the acclaimed Italian guitarist Nicolò Spera. Rodrigo, who was blind, crafted this lovely work on 17th-century Spanish Baroque dances, creating a beautiful musical connection to Bach's era. ArtistsConcordia Vocal EnsembleSoloists to be announcedNicolò Spera, guitaristSouth Bend Symphony OrchestraCynthia Katsarelis, conductor GET TICKETS

This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX.   Find out more here. Originally published at italianstudies.nd.edu.

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS

This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX.   Find out more here. Originally published at italianstudies.nd.edu.

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS

This will be the third meeting of the critical reading of Dante's Paradiso, organized by Prof. Zygmunt G. Barański (University of Notre Dame) and Prof. Maria Antonietta Terzoli (Universität Basel), in collaboration with the Istituto di Italianistica dell’Università di Basilea and The William & Katherine Devers Program in Dante Studies at the University of Notre Dame. At this meeting participants will discuss Cantos XIII-XIX.   Find out more here. Originally published at italianstudies.nd.edu.

Drop in to meet and speak informally with curator Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, about the new exhibit, Mapping Global Dante in Translation. Learn how translators, artists, and printers have popularized and reshaped the Divine Comedy over the centuries and across the world and discover the Library’s many Dante editions. Free and open to the public.For more information, contact Holly Welch at rarebook@nd.edu or (574) 631-0290. About the Exhibit This exhibit traces the global journey of Dante’s masterpiece through rare and valuable printed editions, highlighting how translators, artists, and printers have popularized and reshaped the Commedia. These volumes reveal a dynamic dialogue between Dante’s poetry and the world. A global literary perspective transforms Dante from a monumental yet isolated figure of the European Middle Ages into a central presence in the ongoing international conversation about humanity, the universe, time, eternity, and the power of literature. This exhibit is co-sponsored by the Center for Italian Studies and the Devers Program in Dante Studies. It is curated by Salvatore Riolo, Notre Dame Italian Studies doctoral candidate, and co-curators Giulia Maria Gliozzi, Notre Dame Italian Studies doctoral candidate; Inha Park, Notre Dame Italian Studies doctoral candidate; and Peter Scharer, Yale Comparative Literature doctoral candidate. Theodore J. Cachey Jr., Notre Dame, and Jacob Blakesley, Sapienza Università di Roma, served as consultants on the exhibit. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.Open to undergraduates, graduate students, faculty, staff, postdocs, alumni , friends, and the public.

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS

By Kimberly BelflowerFresh from its Off-Broadway debut, John Proctor Is the Villain is a razor-sharp, timely play that packs a punch of truth, making it the perfect undertaking for a college campus. A 2025 award season darling, with seven Tony Award nominations, including Best Play, Best Actress in a Play, and Best Direction of a Play, it won the Outer Critics Circle Award for Outstanding New Broadway Play, plus recognition from the Dorian Awards and Drama Desk Awards.Playwright Kimberly Belflower's contemporary story pulls at the parallels to reconsider Arthur Miller's The Crucible. Set in rural Georgia, watch it all unfold through the eyes of a high school class confronting the real-life complexities of identity, gender, and power.Helmed by Sarah Gitenstein, assistant professor for Notre Dame's Department of Film, Television, and Theatre, and directing an all-student cast with wit and honesty, they tackle this of-the-moment topic to challenge assumptions, spark dialogue, and give voice to those too often left unheard. GET TICKETS