This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

New at the BrowningDirected by Four/Ten MediaWith Stephen Lancaster, Susan McDaniel, and Kyle MarshallNot Rated, 55 minutes, DCPWorld Premiere! Discussion with filmmakers and artists to follow the screening.Experience humanity's oldest recorded story in a new light. Gilgamesh, a visual song cycle, fuses contemporary English poetry, music, dance, and film to reimagine the ancient Mesopotamian epic. This innovative work, exploring timeless themes of power, friendship, love, grief, and mortality, features music by J. Scott Brubacher and libretto by David James Brock with performances by Stephen Lancaster (baritone), Susan McDaniel (piano), and Kyle Marshall (dance & choreography). The screening will be followed by a "Behind the Scenes" video and a talkback with members from the cast and crew. This is a free but ticketed event.  Call 574-631-2800 or visit performingarts.nd.edu. Co-presented by the Canada Council for the Arts, Franco Family Institute for Liberal Arts and the Public Good, Department of Music, and Graduate Program in Sacred Music. Originally published at music.nd.edu.

Classics in the BrowningDirected by Juan Bastillo OroNot Rated, 79 minutes, DCPWith Víctor Urruchúa, Carlos Villatoro, Magda HallerIn Spanish with English subtitlesThis vividly stylized, broodingly intense early Mexican sound melodrama by Juan Bustillo Oro hinges on an audacious flashback structure. When an ailing monk recognizes a new brother at his cloister, he becomes deranged and attacks him. Dos Monjes recounts the men's tragic shared past once from the point of view of each, heightening the contrasts between the two accounts with visual flourishes drawn from the language of German expressionism, including camera work by avant-garde photographer Agustín Jiménez. GET TICKETS *This is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby.

Walter Frederick Osborne (Irish, 1859–1903), Tea in the Garden, 1903, oil on canvas, 54 3/8 x 68 ¼ inches (canvas). Lane Gift, 1912, Hugh Lane Gallery, HL.24. Collection & Image © Hugh Lane GalleryWhen Dublin’s innovative Municipal Gallery of Modern Art opened in 1908, three paintings by Walter Osborne hung on its walls. All were donated by the gallery’s founder, Hugh Lane, who was a great admirer of the artist. After Osborne’s death in 1903, Lane was keen to secure Osborne’s legacy though the acquisition of works by public collections. Come along on a journey through Dublin’s art scene at the turn of the century as Curator Logan Sisley considers the role of art in building Ireland’s national identity and the place of Osborne’s art in that effort.Presenter: Logan Sisley hails from New Zealand and studied art history at the University of Aukland. In 2007 he joined the staff of the Hugh Lane Gallery in Dublin where he was recently appointed head of collections. He has published extensively on modern art in Ireland, including histories of the Hugh Lane Gallery and studies of John Lavery and Sarah Purser. In 2021 he was the co-curator for the exhibition Studio & State: The Laverys and the Anglo-Irish Treaty. Before the lecture in the atrium, we encourage you to explore Walter Osborne’s work on view in the Temporary Exhibition Galleries on Level 2. The exhibition will remain open until the lecture begins. Originally published at raclinmurphymuseum.nd.edu.

In 1941, sisters Thom (Emma Appleton) and Mars (Stefanie Martini) build a machine, LOLA, that can intercept radio and TV broadcasts from the future. This allows them to listen to iconic music before it has been made, place bets knowing what the outcome will be, and embrace their inner punk well before the movement came into existence. But with the Second World War escalating, the sisters decide to use the machine for good to intercept information from the future that could help with military intelligence. The machine initially proves to be a huge success, rapidly twisting the fortunes of the war against the Nazis. While Thom becomes intoxicated by LOLA, Mars begins to realize the terrible consequences of its power.   Get TicketsThis is a free but ticketed event. Tickets will be available for pick-up at the Ticket Office one hour prior to the performance. To guarantee your seat, please pick up your tickets at least 15 minutes prior to the show. In the event of a sell-out, unclaimed tickets will be used to seat patrons waiting on standby. Originally published at nanovic.nd.edu.

Join in for an evening of sketching, community, and inspiration centered around themes found in the exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. This month’s session will focus on still lifes and will be led by local artist Rebecca Walton. Come ready to share a sketch (sketches should be no larger than 9” x 12”) of your own, created in response to this prompt: Choose an object from your home that you use regularly and that adds beauty, comfort, or meaning to your daily life—an everyday heirloom. Find a quiet moment to spend time with the object. Observe it closely, paying special attention to signs of wear or use, unique textures or marks, and subtle details in shape, color, or material. Using any drawing medium you like, sketch the object by itself. Your drawing can be precise or expressive—let the object's story guide your hand. During the program, we’ll share sketches, discuss artistic choices and techniques, find inspiration in each other’s and Osborne’s work, and take on a new sketching challenge inspired by this month’s theme. Local Lines is open to artists aged 15 and up. This program is part of The Big Draw, the world's largest celebration of drawing that takes place across the globe every year during October. It is for anyone who loves to draw, as well as those who think they can't. The festival promotes drawing as a universal language that has the power to change lives and unite people of any age, background, race, or religion from around the globe. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any non-gated campus lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop.   Originally published at raclinmurphymuseum.nd.edu.