Professor Pfinklepfunder's $1 Sunday Films Directed by Nicolas Roeg With Anjelica Huston, Mai Zetterling, Jasen FisherRated PG, 91 minutes A Roald Dahl adaptation from Nicolas Roeg is a bit of a fascinating combination given Roeg's past films (e.g., directing the David Bowie vehicle The Man Who Fell to Earth or Mick Jagger in Performance or that kid in Don't Look Now). While staying at a hotel in England with his grandmother, Helga (Mai Zetterling), young Luke (Jasen Fisher) kills time by snooping here and there. As luck would have it, Luke inadvertently stumbles upon a convention of witches. The Grand High Witch (Oscar-winner Anjelica Huston) reveals a plan to turn all children into mice through a magical formula. As bad luck would have it, the witches realize that Luke has overheard their ruinous plot and test the formula on him. Now, with the help of Helga and the hotel manager, Mr. Stringer (Rowan Atkinson), Luke the mouse must fight back against the witches and save kids worldwide from a murine fate. GET TICKETS *Sponsored by the Meg and John P. Brogan Endowment for Classic Cinema.

Classics in the BrowningDirected by Fritz LangWith Rudolf Klein-Rogge, Otto Wernicke, Oscar Beregi Sr.Not Rated, 121 minutes, Blu-rayIn German with English subtitlesLocked away in an asylum for a decade and teetering between life and death, the criminal mastermind Doctor Mabuse (Rudolf Klein-Rogge) has scribbled his last will and testament: a manifesto establishing a future empire of crime. When the document's nefarious writings start leading to terrifying parallels in reality, it's up to Berlin's star detective, Inspector Lohmann (Otto Wernicke, reprising his role from M) to connect the most fragmented, maddening clues in a case unlike any other. A sequel to his enormously successful silent film Dr. Mabuse: The Gambler, Fritz Lang's The Testament of Dr. Mabuse reunites the director with the character that had effectively launched his career. Lang put slogans and ideas expounded by the Nazis into the mouth of a madman, warning his audience of an imminent menace, which was soon to become a reality. Nazi Minister of Information Joseph Goebbels saw the film as an instruction manual for terrorist action against the government and banned it for "endangering public order and security." A landmark of mystery and suspense for countless espionage and noir thrillers to come, this is the complete, uncut original director's version in a stunning new transfer. GET TICKETS *Free for ND, SMC, HC, IUSB, and high school students.

So much art, so little time! Join in for this 15-minute lunchtime program, where a member of the Raclin Murphy Museum's education staff will facilitate a brief, interactive conversation focused on a work in the current temporary exhibition Homecoming: Walter Osborne’s Portraits of Dublin, 1880–1900. This week's selection will be In Galway Town. Take a brief moment during your lunch break to engage with others in a relaxed discussion to explore new perspectives on a piece through a close look. After our brief conversation, participants can explore other works in the Museum or enjoy a 10% discount at Ivan’s Cafe.    Walter Frederick Osborne (Irish, 1859–1903), In Galway Town, ca. 1894, Oil on board, 7 3/4 × 11 1/2 in. (19.5 × 29 cm) unframed, Private Collection, Connemara, West of IrelandOriginally published at raclinmurphymuseum.nd.edu.

On May 12, 2025, a group of 59 white South Africans arrived in the United States as refugees on a flight chartered by the U.S. government. The new arrivals, many of whom are Afrikaner descendants of Dutch settlers, were granted refugee status based on claims they faced racial discrimination and violence in South Africa. At the center of this situation is South Africa’s land restitution program, which is designed to return land, under certain conditions, to Black communities that were dispossessed during the country’s Apartheid era. John Eligon, the Johannesburg bureau chief for The New York Times, has covered this story from all angles — including the passage of South Africa’s Expropriation Act, reactions to the policy in different communities, the Trump administration’s creation of a special refugee program for South Africa’s racial minorities, and South African President Cyril Ramaphosa’s pushback against narratives amplified by President Trump, Elon Musk, and others. Eligon will share insights from his reporting during “Post-Apartheid? Restitution and Racial Fear in South Africa,” a public conversation moderated by Dory Mitros Durham, assistant dean for academic affairs and associate teaching professor in Notre Dame’s Keough School of Global Affairs. About the speakerJohn Eligon has served as The New York Times’ Johannesburg bureau chief since 2021. In that role, he is responsible for covering countries in southern Africa. He writes about how big trends and phenomena — from climate change to political upheaval — influence and shape the lives of ordinary people across southern Africa. “My work seeks to upend easy assumptions and stereotypes about the region,” he says. “I strive to show readers a side of Africa they rarely see or hear about, like how the Apartheid-era townships have become a hub of nightlife for South Africa’s rising Black middle class, or how the Rugby World Cup unified a very divided South Africa.” Eligon’s career at The New York Times started in 2005 as a sports reporter. He has covered courts for the Metro section and was a correspondent for the National section based in Kansas City, Missouri. He spent most of his time on the National desk covering issues of race across the United States. He was The Times’ first reporter on the ground in Minneapolis following the murder of George Floyd, and wrote extensively about the national movement for racial justice that it sparked. Several years earlier, he helped to shepherd The Times’ coverage of the police killing of Michael Brown in Ferguson, Missouri. Eligon was born in the Caribbean nation of Trinidad and Tobago, and grew up mainly in Florida and Michigan. He is a graduate of Northwestern University, where he earned degrees in journalism and German. Originally published at klau.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Hyun kyung Kim Not Rated, 84 minutesIn English and Korean with English subtitles Director Hyun kyung Kim scheduled to appear live! This documentary explores the lasting impact of the Korean War while revealing the weight it still exerts to this day on several generations of the filmmaker's family. South Korean filmmaker Hyun kyung Kim grew up with the inherited burden of the Korean War, a conflict that left an indelible mark on her family and country. Her mother compulsively fills the house with items she finds on the streets of Seoul while her veteran father devours books about the war. The filmmaker's encounter with a North Korean defector mirrors the story of her grandfather, who likely stayed in the North when the country became divided, never to be seen again by his family. Defectors confronts the impact of a brutal war on several generations of the filmmaker's family. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

The legendary Joffrey Ballet assumes a special place in this Presenting Series season: in residence at DPAC. Over one week, the world-renowned company is developing an unforgettable program of two tantalizing dance compositions highlighting their artistry, athleticism, and contemporary vision. Our audiences will be the first to preview Broken Wings, inspired by Frida Kahlo, and the nostalgic modern love story Wasbash & You.Harmonizing classical technique with moving ensemble storytelling, the Joffrey continues to be a leader among the most celebrated dance companies by unapologetically interpreting what ballet is now and will be into the future. And, they chose our community as the company's temporary home, preparing two brilliant dances for you and the world. The Joffrey's creative practice from their week in residence will leave an indelible mark on our community, and for audiences, a lasting impression with memories for a lifetime. GET TICKETS

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

The legendary Joffrey Ballet assumes a special place in this Presenting Series season: in residence at DPAC. Over one week, the world-renowned company is developing an unforgettable program of two tantalizing dance compositions highlighting their artistry, athleticism, and contemporary vision. Our audiences will be the first to preview Broken Wings, inspired by Frida Kahlo, and the nostalgic modern love story Wasbash & You.Harmonizing classical technique with moving ensemble storytelling, the Joffrey continues to be a leader among the most celebrated dance companies by unapologetically interpreting what ballet is now and will be into the future. And, they chose our community as the company's temporary home, preparing two brilliant dances for you and the world. The Joffrey's creative practice from their week in residence will leave an indelible mark on our community, and for audiences, a lasting impression with memories for a lifetime. GET TICKETS

The legendary Joffrey Ballet assumes a special place in this Presenting Series season: in residence at DPAC. Over one week, the world-renowned company is developing an unforgettable program of two tantalizing dance compositions highlighting their artistry, athleticism, and contemporary vision. Our audiences will be the first to preview Broken Wings, inspired by Frida Kahlo, and the nostalgic modern love story Wasbash & You.Harmonizing classical technique with moving ensemble storytelling, the Joffrey continues to be a leader among the most celebrated dance companies by unapologetically interpreting what ballet is now and will be into the future. And, they chose our community as the company's temporary home, preparing two brilliant dances for you and the world. The Joffrey's creative practice from their week in residence will leave an indelible mark on our community, and for audiences, a lasting impression with memories for a lifetime. GET TICKETS

The legendary Joffrey Ballet assumes a special place in this Presenting Series season: in residence at DPAC. Over one week, the world-renowned company is developing an unforgettable program of two tantalizing dance compositions highlighting their artistry, athleticism, and contemporary vision. Our audiences will be the first to preview Broken Wings, inspired by Frida Kahlo, and the nostalgic modern love story Wasbash & You.Harmonizing classical technique with moving ensemble storytelling, the Joffrey continues to be a leader among the most celebrated dance companies by unapologetically interpreting what ballet is now and will be into the future. And, they chose our community as the company's temporary home, preparing two brilliant dances for you and the world. The Joffrey's creative practice from their week in residence will leave an indelible mark on our community, and for audiences, a lasting impression with memories for a lifetime. GET TICKETS

Professor Pfinklepfunder's $1 Sunday Films Directed by Lee Unkrich, Adrian Molina With Anthony Gonzalez, Gael García Bernal, Benjamin Bratt Rated PG, 105 minutesIn English and Spanish with English subtitles Come celebrate el Día de los Muertos with the Browning Cinema's annual Pfinklepfunder screening of Coco. Born into a family with a tight ban on music, young Miguel aspires to perform like his local idol from yesterday, Ernesto de la Cruz, himself a reference to Golden Age Mexican Cinema stars like Pedro Infante. Desperate to perform music, Miguel lands in the Land of the Dead. After meeting a charming trickster named Héctor, the two new friends embark on an extraordinary journey to unlock the real story behind Miguel's family history. GET TICKETS *Sponsored by the Meg and John P. Brogan Endowment for Classic Cinema.

This drop-in tour will introduce you to your Raclin Murphy Museum of Art. Join a student gallery teacher or a member of the museum staff to explore the architecture of the building through some of its most unique spaces and discover works of art that are highlights of the collection. Meet at the Welcome Desk. All are welcome and no registration is required. This tour will explore all gallery levels of the museum. Although the tour will keep moving between spaces, gallery stools are available upon request. Originally published at raclinmurphymuseum.nd.edu.

Polish-born organist Ilona Kubiaczyk-Adler brings expressive power and technical brilliance to the Basilica of the Sacred Heart's majestic Murdy Family Organ. Her recital, Music from Eastern Europe and the Americas, presents music spanning the 16th through the 21st centuries. Works from Latvia, Lithuania, Poland, Ukraine, Brazil, Mexico, and the U.S. will stand alongside pieces by J.S. Bach. Through lesser-known yet brilliant compositions, some rarely performed outside their countries of origin, Kubiaczyk-Adler hopes to expand her audiences' stylistic palette and global perspective.Enjoy hearing an international performer celebrated for her musical sensitivity and interpretive depth. At a time of day and place made for contemplation, the resonance of the organ played by a world-class musician in a historic setting makes for an unforgettable musical experience. LEARN MORE *This event is free and not ticketed.

Register here  Jennifer Szalai recently published a piece in the New York Times about several recent books that view empathy negatively. We will have a conversation with her about these books and the role of empathy in this cultural moment. Virtues & Vocations is a social movement committed to individual and communal flourishing through the cultivation of character across the professions. This aspirational, cross professional learning community understands thriving professions are the backbone of thriving societies and knows professional excellence requires both competence and character.  Originally listed at socialconcerns.nd.edu/.

Visio Divina, or “sacred seeing,” is an ancient form of Christian prayer in which we allow our hearts and imaginations to prayerfully and meditatively enter into an image. Join the Raclin Murphy Museum of Art for guided sessions of visio divina with sacred art in the Mary, Queen of Families Chapel. This opportunity is a wonderful way to spiritually engage with this unique, art-filled space. Whether you are new to the practice of visio divina or a long-time devotee, all are welcome for a moment of peace, prayer, and meditation. Meet at the Welcome Desk on Level 1. Always free and open to all. Originally published at raclinmurphymuseum.nd.edu.

So much art, so little time! Join in for this 15-minute lunchtime program, where a member of the museum's education staff will lead a brief, interactive exploration of a single work of art in the permanent collection. Not all works on view take center stage, so join us for this opportunity to take a deep dive into a piece that you might not have noticed on a previous stroll through the galleries. Gain new perspectives on an old favorite, or engage with something completely new! After our time in the galleries, participants can explore other works in the Museum or enjoy a 10 percent discount at Ivan’s Cafe. Originally published at raclinmurphymuseum.nd.edu.

Please join the Keough-Naughton Institute for a talk by Gareth Prendergast, colonel and head of Strategic Force Design in the Irish Defence Forces, on his new book Clear - Hold - Build: How the Free State Won the Irish Civil War (Eastwood Publications, 2025). Copies of the book will be available for purchase after the reading. About Clear - Hold - BuildResearching a civil war is always fraught with danger. While writing a historical textbook 50 years after the end of hostilities, F.S.L. Lyons referred to the Irish Civil War as “burned so deep into the heart and mind of Ireland that it is not yet possible for the historian to approach it with the detailed knowledge or the objectivity which it deserves." Pushing to one side the ideological differences still prevalent in Ireland, Clear - Hold - Build: How the Free State Won the Irish Civil War by Gareth Prendergast, now explains the construct behind the Free State Strategy during the Irish Civil War. As a serving officer in the Irish Defence Forces and a former graduate of the US Army Command and General Staff College, Prendergast utilises his academic and military experience to offer a unique perspective of this contentious period in Irish history. In this newly published book, Prendergast analyses the Clearance and Hold operations conducted by the Leadership of the National Army in order to face down a violent insurgency primarily based in the ‘Munster Republic.’ He credits the Build or Rebuild operations conducted by the Free State as the main contributory reason why the National Army ultimately won the civil war. Even the words ‘won the civil war’ are contentious to this day. Using the lens of modern counterinsurgency doctrine to connect tactical actions to strategic success, Prendergast presents readers with a nuanced examination of the conflict and invites them to draw their own conclusions. You can listen to Gareth Prendergast discuss Clear - Hold - Build on the Irish History Show Podcast here. About Gareth Prendergast Gareth Prendergast is a serving colonel in the Irish Defence Forces with over 30 years of service. He has seven operational tours of duty overseas including the Middle East, Balkans and Mali. At home he has served in infantry battalions on the Irish border during the ‘Troubles’, in Kilkenny and Dublin. He has also served in the Military College and Defence Force Headquarter on numerous occasions, including appointments in the Command and Staff School, OIC Military Finance Branch, and Director of Logistics. He is currently serving as Head of Strategic Force Design. Prendergast has a Masters of Military Art and Science from his year spent on the US Army Command and General Staff Course in Fort Leavenworth, Kansas, and he recently achieved his doctorate (Ph.D.) after six years study and research in the history department of UCC. Colonel Prendergast recently published his first book, Clear – Hold – Build, How the Free State won the Irish Civil War (1922-1923) with Eastwood Publications in 2025. This book encompasses his previous experiences and military education as he spent over six years researching how the newly established Irish National Army utilised a counterinsurgency doctrine that allowed them to convert tactical victories into overall strategic success. Originally published at irishstudies.nd.edu.

Engage with art, connect with others, and explore new perspectives in Art + Insight, a program for adults 55+. Through guided close-looking exercises, lively conversations, and shared experiences, we will discover fresh ways to engage with art while building community. Join us for meaningful discussions and creative inspiration in the galleries each month as we explore new works of art together. Parking is available in the Visitor Lot immediately north of the Sculpture Park for a fee during the week (before 4:30 p.m.). Free two-hour parking is available in the Eddy Street Commons Parking Garage or along Angela Blvd. After 4:30 p.m. and on weekends, parking is free and available in any campus non-gated lot. If traveling via South Bend Transpo, take the No.7 bus and use the Eddy St. Commons stop.   Originally published at raclinmurphymuseum.nd.edu.

Learning Beyond the Classics: Voicing Intergenerational Trauma in Postwar Korea and Japan through Contemporary Cinema Directed by Nagisa OshimaWith Kei Sato, Fumio Watanabe, Toshio Ishido Not Rated, 118 minutesIn Japanese with English subtitles Genius provocateur Nagisa Oshima, an influential figure in the Japanese New Wave of the 1960s, made one of his most startling political statements with the compelling pitch-black satire Death by Hanging. In this macabre farce, a Korean man is sentenced to death in Japan but survives his execution, sending the authorities into a panic about what to do next. At once disturbing and oddly amusing, Oshima's constantly surprising film is a subversive and surreal indictment of both capital punishment and the treatment of Korean immigrants in his country. GET TICKETS *Free for ND, SMC, HC, and IUSB students. **Co-presented by the David A. Heskin and Marilou Brill Endowment for Excellence, Liu Institute for Asia and Asian Studies, Franco Family Institute for Liberal Arts and the Public Good, East Asian Languages and Cultures, Navari Family Center for Digital Scholarship/Hesburgh Libraries.

Join the curators of Homecoming: Walter Osborne’s Dublin, 1880–1900 every Football Friday for an introduction to one of Ireland’s most acclaimed artists, as well as the people he knew and the places he visited. From luscious parks to bustling market scenes, quiet libraries and churches to intimate domestic interiors, Osborne’s luminous depictions of everyday life offer insights into Ireland’s changing realities at the turn of the twentieth century. Meet at the entrance to the Temporary Exhibition Gallery.  All are welcome. Originally published at raclinmurphymuseum.nd.edu.