© Robert Cross, 2024As part of the Keough-Naughton Institute's fall 2024 speaker series and in celebration of International Translation Day, Professor Marco Sonzogni will deliver a lecture titled, "Is this translation?: ‘Lightenings viii’ (‘The annals say…’) and The Translations of Seamus Heaney." Lecture Abstract As a poet and translator, Seamus Heaney (1939–2013) embraced the ‘liberating idea’ that ‘an original work exists not in order to be perfect but in order to engender itself repeatedly in new translations’ (Translations of Poetry and Poetic Prose: Proceedings of Nobel Symposium 110, 1999: 331). Heaney’s poem ‘1 Lightenings viii’ (Seeing Things, 1991: 62) exemplifies this idea. In this poem — known also as ‘The annals say…’ — Heaney relays to readers an extraordinary event recorded in Irish annals: the sighting of crewed ships in the sky. Reported, among other sources, in Lebor Laignech (‘Book of Leinster’), in Lebor Bretnach (Irish Nennius) and also in Konungs skuggsjá (‘The King’s Mirror’), the sighting reaches Heaney’s imagination through K.H. Jackson’s English translation, ‘The Air Ship’ (Celtic Miscellany. Translations from the Celtic Literatures, 1971: 165). In this lecture, Professor Marco Sonzogni reviews his conclusion that ‘Lightenings viii’ was an original poem and why, consequently, he did not include it in the edited collection, The Translations of Seamus Heaney (2022). Rather, Sonzogni singled the poem out in his ‘Introduction’ as an example of the evolutionary impact of translation as practiced by Heaney. While Sonzogni is now uncertain that he made the right decision, he remains convinced that this text too — like all the texts collected in The Translations — bears witness to Heaney’s ‘credo’ in ‘discovering what survives translation true’ (‘Remembered Columns,’ The Spirit Level, 1996: 45). Speaker Biography Marco Sonzogni (OMRI, Officer) is an award-winning scholar, literary translator, poet, editor, and cultural activist. He is a Professor of Translation Studies in the School of Languages and Cultures at Victoria University of Wellington, New Zealand, where he teaches evolutionary translation and intercultural communication at undergraduate and postgraduate level and directs the New Zealand Centre for Literary Translation. He is the editor of the critically acclaimed The Translations of Seamus Heaney (Faber 2022 and FSG 2023). He is also the editor of the definitive edition of Seamus Heaney’s poetry in Italian translation, Poesie (Mondadori 2016). This event is co-sponsored by the Creative Writing Program and the Center for Italian Studies. Originally published at irishstudies.nd.edu.

Sergio FaustoExecutive Director, Fernando Henrique Cardoso (FHC) FoundationCo-Director, "Plataforma Democrática" ProjectCo-Director, "The State of Democracy in America" Collection In his talk, Fausto will discuss a set of data shedding light on structural changes that are making the so-called Bible, Beef and Bullets coalition a key factor in Brazilian politics and delve into the characteristics of each of the three main actors of this coalition. He analyzes the mutually reinforcing conservative-progressive polarization in Brazil, to what extent has it crystallized, and how it affects the Brazilian political system. His talk also will explore similarities and differences between socio and political polarization in the US and Brazil, then conclude with comments on the challenges to democracy in both countries, having the global context in the backdrop. For more information, click here. Sponsored by the Kellogg Institute for International Studies.

"Pieces of Me" is an autobiographical play that exposes the devastating emotional cost of living secretly as a mixed-race family under the vicious racist apartheid regime and the legacy it bore. Bo Petersen's father, Benjamin “Benny” Johannes Petersen, made a fateful decision in 1944 that would change his life forever. After meeting and falling in love with Bo's mother, who was white, he decided to pass as white. Until then, he had been classified by the South African Government as "Colored." A Colored person was a person of mixed European ("white") and African ("black") or Asian ancestry, as officially defined by the South African government from 1950 to 1991. Petersen’s parents had five children and were happily married for 62 years. They lived as a white family. Benny never told his wife or any of his children about his true identity. It was a secret that, if uncovered, would have had dire consequences for all of them. Benny could have faced 10 years' imprisonment, his marriage would have been annulled and his children taken away, reclassified and made wards of the State. "Pieces of Me" explores how Bo's father's torturous decision to pass as white has shaped her life. The play captures universal themes of exclusion, threat, and silences experienced by marginalized people throughout the world. "Pieces of Me" is Bo's renegotiation. Speakers:Welcome: Josefina Echavarría Alvarez, Professor of the Practice, Director of the Peace Accords Matrix (PAM)Actor: Bo Petersen, South African actor, writer, directorQ&A: moderated by Laurie Nathan, Professor of the Practice of Mediation, Mediation Program DirectorOriginally published at kroc.nd.edu.

This event will bring together members of the Notre Dame and local communities to consider our roles in building the Beloved Community and supporting a collective vision of establishing love as the measure of success for all of our endeavors. While the sessions are open to all, registration is requested. Please register hereSessions:9 to 10:30 a.m. – Catholic Social Teaching and Building the Beloved Community (Decio Theatre, DeBartolo Performing Arts Center)Conversation led by David Lantigua, associate professor of theology, and Deacon Mel Tardy, associate advising professor, Center for University Advising11:45 a.m. to 1:30 p.m. –  Love, Bridge Building, and Pathways to theBeloved Community (Legends of Notre Dame)Lunch and discussion led by Rev. Hugh R. Page, Jr., vice president for institutional transformation and advisor to the president, professor of theology and Africana studies1:45 to 3:15 p.m. – Laying the Foundation for the Beloved Community: A Local Expression in South Bend (Decio Theatre, DeBartolo Performing Arts Center)Community panel session featuring Darryl Heller, director, Indiana University South Bend Civil Rights Heritage Center; Joseph Luten, CEO and president, Importin’ Joe’s Ethiopian Coffee; Sam Diggins, South Bend Police Department; Regina Williams-Preston, community partnerships program director, Center for Social Concerns3:30 to 5 p.m. – Jonathan Wilson-Hartgrove: Building the Beloved Community at Notre Dame (Decio Theatre, DeBartolo Performing Arts Center)Keynote Session featuring Jonathan Wilson-Hartgrove, assistant director for partnerships and fellowships at Yale University’s Center for Public Theology and Public Policy5 to 6 p.m. – Post-event reception and networking (Decio Theatre, DeBartolo Performing Arts Center)Jonathan Wilson-Hartgrove will be signing free copies of his book (co-written with Rev. Dr. William J. Barber II), White Poverty: How Exposing Myths about Race and Class can Reconstruct American Democracy, at the reception on a first-come, first-served basis.Sponsored by the Office of the Provost, Office of Institutional Transformation, and the Charles and Margaret Hall Cushwa Center for the Study of American Catholicism. Originally published at diversity.nd.edu.

Join the School of Architecture for an exhibition and talk by author and architectural artist Arduino Cantàfora. The lecture will delve into the intricate intersection of art, architecture, and history that has shaped his illustrious career. From his early fascination with organic forms and his deep dive into Caravaggio's technique, to his pivotal role in La Tendenza, Cantàfora has continuously explored the language of drawing and painting as a means to reimagine architectural forms. The talk will provide insight into his artistic journey, including his celebrated large-scale works and his contributions to prestigious architectural and art exhibitions.  Reception to follow.  Register for the talk Originally published at architecture.nd.edu.

The Wolves drops you outdoors into the midst of a suburban high school girls' soccer team daily practice for six games. Amid warmup and training suffused by the raw energy accompanying youth on the brink of adulthood, the undefeated Wolves psych each other up or out, tackling whatever sport and life throw their way through rapid-fire, unfiltered conversations about the world and who they are within it. Then, what happens when you discover life is not a drill? GET TICKETS Performance Schedule October 2–6, 2024Wednesday–Friday at 7:30 PMSaturday at 2:30 PM and 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for The Wolves are now on sale and may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.Sarah DeLappe's Pulitzer Prize-nominated play, produced in collaboration with the DeBartolo Performing Art Center's Presenting Series.The Wolves is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc.concordtheatricals.com