Magnificat Choir Commencement Concert

As information for the May 19-21, 2023, Commencement weekend unfolds, pages at the site: commencement.nd.edu, will be updated. Most updates will occur in early March, 2023. Please note that May Class of 2023 information is being updated with information as it becomes available.   Commencement Mass and diploma ceremonies will be held on Saturday, May 20. The University Commencement Ceremony, which all students are invited to attend, and diploma ceremonies will be held on Sunday, May 21. Please review the Schedule of Events page.   Please visit the Live Webcast page for the Live Video streaming schedule. A full listing of all events for the weekend can be found at the Schedule of Events website, in late February. ********************************* The University of Notre Dame will confer 3,200 degrees Saturday and Sunday (May 20 and 21) during Commencement weekend activities, including the 178th University Commencement Ceremony in Notre Dame Stadium on Sunday, during which 2,141 degrees will be conferred on undergraduate students. Nobel Peace Prize recipient Juan Manuel Santos, the president of Colombia from 2010 to 2018, will be the principal speaker and recipient of an honorary degree. Sister Rosemary Connelly, R.S.M., former executive director of Misericordia and lifelong advocate for people with developmental disabilities, will receive the 2023 Laetare (lay-TAH-ray) Medal, the oldest and most prestigious honor given to American Catholics. Kristen Friday, a computer science and engineering major from Pittsburgh, will deliver the valedictory address, and salutatorian Miguel Coste, a neuroscience and behavior major from Tampa, Florida, will offer the invocation.  In addition to Santos, five others will receive honorary degrees at the University Commencement Ceremony: Howard G. Adams, a leading expert on developing individuals through mentoring and strategic career and life planning; adult contemporary and contemporary Christian singer-songwriter Amy Grant; physician James “Doctor Jim” O’Connell, who has delivered health care to Boston’s homeless population for almost four decades; retired executive chairman and former chief executive officer of the PNC Financial Services Group, James E. Rohr; and Marguerite Taylor, a lifelong resident of South Bend’s Northeast Neighborhood, who was instrumental in establishing the University’s Robinson Community Learning Center and has dedicated her life to improving her hometown and building lasting relationships between the city and Notre Dame.  Weather permitting, graduates will process into the stadium at 9 a.m. with the University Commencement Ceremony beginning at 9:30 a.m. All attendees must have a ticket for admission.  On Saturday, 547 students will receive master’s and doctoral degrees at the Graduate School Commencement ceremony, along with 512 master’s degree students at the Mendoza College of Business ceremony and 182 at the Law School ceremony. The Commencement Mass will also be held Saturday, at 5 p.m. in Purcell Pavilion. The Commencement Mass, University Commencement Ceremony and all diploma/hooding ceremonies will be livestreamed. A complete schedule of events is available on the Commencement website, and senior stories and other features are here. Many common items will not be allowed in the stadium during Commencement. Visit the Commencement website for a complete list of prohibited items. In the event of severe weather, ceremonies will be moved indoors to either the Joyce Center or the Compton Family Ice Arena. Should weather conditions necessitate a move indoors, the University will communicate changes online and via ND Alert messages, social media and local news outlets.  

The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 [canceled] April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

Virtues & Vocations is a national forum at the Center for Social Concerns to consider how best to cultivate character in pre-professional and professional education. In May, we are thrilled to welcome Nii Addy, associate professor of psychiatry and of cellular and molecular physiology and director of scientist diversity and inclusion at Yale School of Medicine.  REGISTER 

The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 [canceled] April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 [canceled] April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.

The exhibition features books printed in Ireland from the early twentieth century to this past decade, showing the development of Irish book art over the century. A recurring theme, particularly in early publications, is the influence of early Irish art forms in the various design and decorative elements of the books. The selection of fonts, illustrations, and decorative styles were carefully considered by the printers and publishers, and this small variety of books demonstrates various aspects of the art of printing and book design practiced in Ireland. The facsimile Book of Kells is on display, as this and other illuminated manuscripts are a touchstone of sorts for book art in Ireland, particularly at the time of the Irish Literary Revival and the Irish Language Revival. Publishing houses featured in the exhibit include the Dun Emer Press and Cuala Press, Colm Ó Lochlainn’s Sign of the Three Candles Press, Liam Miller’s Dolmen Press, and the contemporary Stoney Road Press and Salvage Press. While the books in this exhibit cover a range of subjects from industry to ornithology, most are literary works, and a number of the books are editions of texts from Gaelic literature, including Thomas Kinsella’s translation of Táin Bó Cuailgne (The Tain), illustrated by Louis le Brocquy. The selection exhibited represents only part of the very extensive collection of important Irish printing presses held by the Hesburgh Libraries. Exhibit Tours Tours of the exhibit may be arranged for classes and other groups by contacting Aedín Clements at (574) 631-0497 or aclemen1@nd.edu. Additional curator-led tours are open to the public at noon on the following Fridays:February 24 March 10 March 31 April 7 [canceled] April 21This exhibit is curated by Aedín Ní Bhróithe Clements, Irish Studies Librarian and Curator of Irish Studies Collections. This and other exhibits within the Hesburgh Libraries are generously supported by the McBrien Special Collections Endowment. All exhibits are free and open to the public during business hours.