BUY TICKETS Madness, revenge, and the supernatural: Hamlet remains one of the most well-known of all Shakespeare plays, and for good reason. This powerful tale of vengeance and insanity still retains the power to thrill audiences everywhere. Blending tension, pathos, and poetry, Hamlet remains as exciting and relevant to modern audiences as ever. Actors From The London Stage celebrates its 50th anniversary with a triumphant return to one of Shakespeare’s most iconic titles. Since 2000, Actors From The London Stage has called Notre Dame its artistic home. The company travels to multiple colleges and universities nationwide twice yearly, and every tour is coordinated and managed by Shakespeare at Notre Dame. Each member of this self-directed ensemble portrays multiple roles while favoring minimal props and costumes, creating a theatrical experience like no other. The ghost of the King of Denmark tells his son Hamlet to avenge his murder by killing the new king, Hamlet's uncle. Hamlet feigns madness, contemplates life and death, and seeks revenge. His uncle, fearing for his life, also devises plots to kill Hamlet. The tension rises, culminating in a fateful duel between Hamlet and Laertes, a duel whose outcome leads to tragedy for all.CAST:Joanna Clarke: Ophelia / Laertes / Guildenstern / Bernardo / 2nd PlayerEsmonde Cole: Hamlet / Marcellus / Fortinbras / PirateSadie Pepperrell: Gertrude / Horatio / Rosencrantz / PlayerMichael Wagg: Polonius / 1st Player / 1st Gravedigger / Priest / Osric / Messenger / PirateJack Whitam: Claudius / Ghost / Francisco / Captain / 2nd Gravedigger / Player / ServantPuppets and Props: Vi & SlyFight Director: Philip d’Orléans TOUR SCHEDULE:Week 1, Jan. 27-Feb. 1: Hope College, Holland, MIWeek 2, Feb. 2-7: William & Mary College, Williamsburg, VAWeek 3, Feb. 10-15: University of Texas - Austin, Austin, TXWeek 4, Feb. 17-23: John Carroll University, University Heights, OHWeek 5, Feb. 24-Mar. 2: Purdue University, West Lafayette, INWeek 6: Mar. 3-8: Mississippi State University, Meridien, MSWeek 7, Mar. 10-16: TBDWeek 8, Mar. 19-22: Shakespeare Association of America Annual Meeting, Boston, MAWeek 9, Mar. 24-29: University of Notre Dame, Notre Dame, INWeek 10, Mar. 31-Apr.5: Gonzaga University, Spokane, WAApr. 27: The Cockpit, London, United KingdomOriginally published at shakespeare.nd.edu.

A symphonic concert featuring the Songs of Harriet Tubman and Louise Farrenc's Third Symphony, presented in Women's History Month. Faculty conductor Cynthia Katsarelis (in the Program in Sacred Music at Notre Dame) leads a collaboration with the South Bend Symphony Orchestra, and our invited guest, South African soprano Goitsemang Lehobye, in presenting the Songs of Harriet Tubman by American composer, Nkeiru Okoye, and the Third Symphony by the 19th-Century French composer, Louise Farrenc.Harriet Tubman is the quintessential liberation figure in American history. Her courage and activism has inspired many, including the civic leaders in South Bend who brought a beautiful statue of Harriet Tubman to Howard Park. Louise Farrenc was a virtuoso pianist and composer and the first women to serve full-time on the faculty of the Paris Conservatoire. Famously, she fought for, and attained, equal pay with her male colleagues.The pre-concert conversation  at 6:30 p.m. will focus on the meaning of Tubman for South Bend, a "station" on the Underground Railroad. Participants will include Alfred Guillaume, retired from IUSB, a civic leader who helped bring the inspiring Harriet Tubman statue to Howard Park.Nkeiru Okoye is one of the most exciting composers in America. Her works include operas, oratorios, music for orchestras, choruses, and chamber music ensembles, as well as song cycles. Her recent oratorio, When the Caged Bird Sings, premiered in Ann Arbor, Michigan, in 2024 to great acclaim.Soprano Goitsemang Lehobye, a native of Ga-Rankuwa, South Africa, is an emerging star who in the last year has performed with the Finnish National Opera, the Minnesota Orchestra, and made her Carnegie Hall debut. Tickets are available at: performingarts.nd.edu Co-sponsorsed by the Program in Sacred Music at Notre Dame, Gender Studies, and the Department of Music.This concert is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters.

A symphonic concert featuring the Songs of Harriet Tubman and Louise Farrenc's Third Symphony, presented in Women's History Month. Faculty conductor Cynthia Katsarelis (in the Program in Sacred Music at Notre Dame) leads a collaboration with the South Bend Symphony Orchestra, and our invited guest, South African soprano Goitsemang Lehobye, in presenting the Songs of Harriet Tubman by American composer, Nkeiru Okoye, and the Third Symphony by the 19th-Century French composer, Louise Farrenc.Harriet Tubman is the quintessential liberation figure in American history. Her courage and activism has inspired many, including the civic leaders in South Bend who brought a beautiful statue of Harriet Tubman to Howard Park. Louise Farrenc was a virtuoso pianist and composer and the first women to serve full-time on the faculty of the Paris Conservatoire. Famously, she fought for, and attained, equal pay with her male colleagues.The pre-concert conversation at 6:30 p.m. will focus on the meaning of Tubman for South Bend, a "station" on the Underground Railroad. Participants will include Alfred Guillaume, retired from IUSB, a civic leader who helped bring the inspiring Harriet Tubman statue to Howard Park.Nkeiru Okoye is one of the most exciting composers in America. Her works include operas, oratorios, music for orchestras, choruses, and chamber music ensembles, as well as song cycles. Her recent oratorio, When the Caged Bird Sings, premiered in Ann Arbor, Michigan in 2024 to great acclaim.Soprano Goitsemang Lehobye, a native of Ga-Rankuwa, South Africa, is an emerging star who in the last year has performed with the Finnish National Opera, the Minnesota Orchestra, and made her Carnegie Hall debut. Tickets are available at: performingarts.nd.edu Co-sponsorsed by the Program in Sacred Music at Notre Dame, Gender Studies, and the Department of MusicThis concert is made possible in part by support from the Institute for Scholarship in the Liberal Arts, College of Arts and Letters, University of Notre Dame.

The University of Notre Dame’s Department of Art, Art History & Design is proud to present its annual MFA thesis exhibition, highlighting the culminating work of four graduate students set to earn their Master of Fine Arts degrees in May 2025. This highly anticipated exhibition will be displayed in two groups, each offering a distinct and engaging artistic experience. The first exhibition will run from February 28 to March 20 at the AAHD Galleries (214/216 Riley Hall), featuring the thought-provoking works of Thomas Callahan and Emma Ryan. An opening reception will be held on Friday, February 28, from 5 to 7 pm, providing an opportunity to meet the artists and experience their work firsthand. The second exhibition will showcase the exceptional pieces of Norah Amstutz and Griffin Liu, on display from April 3 to April 16 at the AAHD Galleries. The opening reception for this group will take place on Friday, April 4, from 5 to 7 pm. This annual exhibition is a celebration of creativity, dedication, and artistic vision, offering visitors a glimpse into the future of contemporary art. We invite you to join us in supporting these talented emerging artists and experiencing their extraordinary work. Originally published at artdept.nd.edu.

The University of Notre Dame’s Department of Art, Art History & Design is proud to present its annual MFA thesis exhibition, highlighting the culminating work of four graduate students set to earn their Master of Fine Arts degrees in May 2025. This highly anticipated exhibition will be displayed in two groups, each offering a distinct and engaging artistic experience. The first exhibition will run from February 28 to March 20 at the AAHD Galleries (214/216 Riley Hall), featuring the thought-provoking works of Thomas Callahan and Emma Ryan. An opening reception will be held on Friday, February 28, from 5 to 7 pm, providing an opportunity to meet the artists and experience their work firsthand. The second exhibition will showcase the exceptional pieces of Norah Amstutz and Griffin Liu, on display from April 3 to April 16 at the AAHD Galleries. The opening reception for this group will take place on Friday, April 4, from 5 to 7 pm. This annual exhibition is a celebration of creativity, dedication, and artistic vision, offering visitors a glimpse into the future of contemporary art. We invite you to join us in supporting these talented emerging artists and experiencing their extraordinary work. Originally published at artdept.nd.edu.

Scholars have been thinking about the Roman empire for a long time, offering a variety of theories and explanations for Roman imperialism. Too often, however, they have taken the writings of the ancient historians simply at face value. The object of this conference is to examine the attitudes toward Roman imperialism on the part of Greek historians writing under the Roman empire, and to compare these views and their evolution over time with those found in Latin historical writing. The conference offers an innovative approach by integrating historiography with the study of Roman imperialism. Organizers: Christopher Baron (University of Notre Dame)Anders Holm Rasmussen (University of Copenhagen) List of speakers: Sulochana Asirvatham (Montclair State University)Christopher Burden-Strevens (University of Kent)Jessica Clark (Florida State University)Cynthia Damon (University of Pennsylvania)Jon Davies (University of Copenhagen)Jennifer Gerrish (College of Charleston)Caitlin Gillespie (Brandeis University)Kyle Khellaf (UC Riverside)Mads Ortving Lindholmer (Danish Institute in Rome)Regina Loehr (Washington University in St. Louis)Jesper Majbom Madsen (University of Southern Denmark)Kit Morrell (University of Queensland)Josiah Osgood (Georgetown University)Antonio Pistellato (Università Ca’Foscari Venezia)Anders Holm Rasmussen (University of Copenhagen)Andrew Scott (Villanova University)Kathryn Welch (University of Sydney)Liv Mariah Yarrow (Brooklyn College) Sponsors: Institute for Scholarship in the Liberal Arts, Notre Dame Independent Research Fund Denmark (DFF) Department of Classics, Notre Dame Department of History, Notre Dame Originally published at classics.nd.edu.