Ken Ludwig's The Game's AfootPresented by Notre Dame Film, Television, and Theatre Directed by Carolyn Dell '26 It is December 1936, and Broadway star William Gillette, admired the world over for his leading role in the play Sherlock Holmes, has invited his fellow cast members to his Connecticut castle for a weekend of revelry. But when one of the guests is stabbed to death, the festivities in this isolated house of tricks and mirrors quickly turn dangerous. The danger and hilarity are non-stop in this relentlessly entertaining comedy set during the Christmas holidays. Performance Schedule November 20 - 24, 2024Wednesday - Saturday at 7:30 PMSunday at 2:30 PM Philbin Studio TheatreDeBartolo Performing Arts Center Tickets Tickets for Ken Ludwig’s The Game’s Afoot are $10 for the general public and $5 for Faculty/Staff, Students, and Seniors (65+). If you would like to purchase tickets for the full NDFTT season, a season bundle is currently available. Tickets may be purchased by phone at 574-631-2800, in person at the DeBartolo Performing Arts Center ticket office (M-F 12:00 - 6:00 PM), or online at performingarts.nd.edu. BUY TICKETS SEASON BUNDLE Parking Free parking is available daily after 5:00 pm in the Stayer Center parking lot, just north of the DeBartolo Performing Arts Center. Patrons may now receive free event parking at the Eddy Street Commons Parking Garage by bringing your event tickets and parking ticket to the DPAC Ticket Office to receive a pre-paid parking voucher. An accessible lot for disabled patrons is available immediately adjacent to the center; a valid hangtag or license plate is required. There is a ten-minute parking zone on the north drive of the center for ticket pick-up; during inclement weather you are welcome to drop off guests in this area and proceed to parking.“Ken Ludwig’s The Game’s Afoot” is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com Ken Ludwig’s The Game’s Afoot was originally produced by Cleveland Play House; Michael Bloom, Artistic Director; Kevin Moore, Managing Director. Originally published at ftt.nd.edu.

Christopher Holman presents eight centuries of organ music from the Roman Catholic tradition, performed on the tremendous Murdy Family Organ in the Basilica of the Sacred Heart in broadly chronological order. From the earliest written keyboard music (Robertsbridge Codex, c. 1360) through British composer Caitlin Harrison's 2022 chorale prelude on the Dominican Order's Salve Regina, the program will feature music by J.S. Bach, Charles-Marie Widor, Dieterich Buxtehude, Sor María Clara de Oaxaca, Elisabeth Lutyens, works from the time of the American Revolution, and more, demonstrating how the organ, as Widor famously said, can truly bring about a "vision of eternity." This event is free to attend and not ticketed.  

Despite Sikkink's previous claims that we have entered an age of accountability with a “justice cascade” of human rights prosecutions, her most recent data show that there has been a marked decline in domestic, foreign, and international prosecutions worldwide after peaking in 2010. In the talk, she will discuss how changes in both the conditions for the demand and the supply of accountability have contributed to this new trend of declining prosecutions, especially because of the retrocession of liberal democracies.     This lecture is part of a larger series organized by Faculty Fellows Scott Mainwaring and Karrie Koesel entitled “Perspectives on World Politics.” Since its inception in 2016, this series aims to spotlight the Kellogg Institute’s strength in comparative politics by featuring distinguished scholars who speak on a topic related to each year’s theme.   More information here 

The Notre Dame Children's Choir is excited to perform holiday favorites as featured guests with The Bergamot in this holiday tradition at the Morris Performing Arts Center!The BergamotTickets available at: https://morriscenter.org/event/the-bergamot-south-shore-christmas/ Originally published at sma.nd.edu.

Notre Dame Children's Choir performs with the South Bend Symphony Orchestra.Tickets for $13 - $25 are available. Originally published at sma.nd.edu.

Democratic erosion can be stopped. There are good theoretical reasons and first empirical evidence for that. However, stopping democratic erosion is not equivalent to democratic recovery. What possible trajectories are there for the post-erosion phase? How can democratic recovery—as one of them—be captured? These questions have not been found sufficient attention but are highly relevant for developing strategies of post-erosion democratic reconstruction. This lecture presents a framework covering these questions and thus offering an approach for addressing post-erosion developments.Kellogg Lecture by Marianne Kneuer.   More information here